Debbie Macomber’s Joyful Mrs. Miracle 2024 - Movies (Nov 29th)
Instacult 2024 - Movies (Nov 29th)
The Bridge 2024 - Movies (Nov 29th)
Once Upon a Christmas Wish 2024 - Movies (Nov 29th)
A Christmas Less Traveled 2024 - Movies (Nov 29th)
The Window 2024 - Movies (Nov 29th)
Hitpig 2024 - Movies (Nov 29th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Beatles 64 2024 - Movies (Nov 29th)
Watchmen Chapter I 2024 - Movies (Nov 29th)
Nutcrackers 2024 - Movies (Nov 29th)
Aftermath 2024 - Movies (Nov 29th)
Christmas Under the Lights 2024 - Movies (Nov 28th)
Kneecap 2024 - Movies (Nov 28th)
River of Ghosts 2024 - Movies (Nov 28th)
Stargazer 2023 - Movies (Nov 28th)
Birdeater 2023 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Bargain Hunt - (Nov 29th)
Pupstruction - (Nov 29th)
Off Shoot - (Nov 29th)
For the Love of DILFs - (Nov 29th)
The Chase Australia - (Nov 29th)
Dateline - (Nov 29th)
Solar System - (Nov 29th)
Watch What Happens Live with Andy Cohen - (Nov 29th)
The Kelly Clarkson Show - (Nov 29th)
Deal or No Deal - (Nov 29th)
Return to Las Sabinas - (Nov 29th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
The courtship behavior of Great Bustards is studied. The male Great Bustard is considerably larger than the female. This impression is reinforced during courtship when the male dances in front of the female, showing the light undersides of its wings and inflating its throat pouch.
A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.
A rare "inside" view of a motorcycle club in Toronto, one of the network of such fraternal groups in the large centers across North America. The names they adopt (Satan's Choice is only one) are as individual as their special ethics and views of life, all freely expressed in this film.
When lock & dam construction along the Monongahela River threatens to flood the quiet town of Greensboro, desperate citizens seek the help of Glenn Toothman, a new young attorney, to save the place they call home. Glenn's ensuing research unearths the town's surprising significance to American history. But is that knowledge enough to stem the tides of modernity?