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"Jennie" (Janet Munro) is fed up struggling through her mundane life in Wales, and so heads to the bright lights of London where she encounters the decent and loving "Bob" (John Stride). All goes well for them for a while, they are very much in love - but she has a bit of a restless spirit and when the manipulative "Karl" (Alan Badel) comes onto the scene it looks like it might be curtains for their idyllic relationship. The rest of this rather procedural drama is interspersed with some flashbacks that illustrate that the past life of "Jennie" is not without it's demons and slowly we begin to reconcile those with her aspirations for a better life. It's a rather disappointing melodrama this, with a cast that don't really gel very well and although Munro is enthusiastic enough on screen, the whole story has a rather predictable nature to it ending with a certain inevitability that I found rather obvious. Badel was always good as the rather sleazy character, and here he does steal what scenes he is in. Otherwise, though, this is an unremarkable drama that might have been provocative in 1963, but is not remotely now.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
Swinging London - a phenomenon which emphasized the young, the new and the modern. Fashion, music, art, media, life style and attitude. An era of optimism, and hedonism. A cultural revolution.
London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.
The vivid and inspiring story of British film icon Michael Caine's personal journey through 1960s swinging London.
Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane's mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer's men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane's brother, can help them to solve the case. But Jane doesn't know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?
A dreamy Australian singer comes to London to seek his fortune and falls for a down-to-earth lass and a high-strung debutante at the same time.
Teenagers gathered in an old mansion are being murdered one by one. The survivors must discover who among them is the killer before he finishes off everybody.
An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.
In April 1966, Cilla opened in a 3-week cabaret season at London’s Savoy Hotel. On her final Sunday, she starred in her own television special produced by her manager Brian Epstein’s film company, Subafilms. It was the first colour television show of its kind to be made by an independent producer in Britain. The show was broadcast in the UK in black & white but aired in colour in The Netherlands and the USA. ‘Cilla at the Savoy’ was one of the most watched television specials of the 1960s.
