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This town looks as if it's full of men who step on baby chickens. San Antonio is directed by David Butler and written by Alan Le May and W. R. Burnett. It stars Errol Flynn, Alexis Smith, Paul Kelly, S.Z. Sakall, Florence Bates and Victor Francen. Music is by Max Steiner and cinematography by Bert Glennon. It's always interesting to compare Errol Flynn's Westerns, his work in a genre he was not overly fond of. Depending on your Western genre proclivities of course, there's a mix of the old fashioned type, where Errol flirts and is heroic, or the more serious ones where his heroism is underplayed. San Antonio is the former. Plot has Flynn as Clay Hardin, who is the man who can prove that town impresario Roy Stuart (Kelly) is the man responsible for the rampant cattle rustling going on in the state. There's agendas gnawing away in the plot, romantic dalliances that bring the delightful Alexis Smith into prominence, and of course there's frothy comedy light relief - the proviso here is if Sakall and Bates' thing doesn't irritate you? Flynn is ace, athletic with a handsomeness that's rarely been bettered in Hollywood, to which here he's on lovable rascal form, playing off of Smith with appealing skill. Smith is a strong foil for her leading man, holding her end up in both stern characteristics and comedy angles. While it's always great to find Kelly in a villain role, here getting his teeth into it for much viewing reward. Unfortunately this really could have done with a better director, the blend of drama and comedy seemingly uneasy in Butler's hands. The big denouement between hero and villain is a damp squib, which is a shame as we are in the ruins of The Alamo, a poignant piece of architecture that positively demands a more extended and vigorous finale. Elsewhere, Glennon's photography is pleasing if lacking in exterior splendours, and Steiner's score will sound familiar to anyone already familiar with his work. Gloriously pretty, vibrant and colourful, it's well weighted with good production values and a solid cast, but as fun as it is it does lack some urgency ingredients to be great. 7/10
Country-western favorite Roy Acuff and his Smoky Mountain Boys star in the Columbia musical western Smoky Mountain Melody. Not much happens plotwise: Acuff, playing "himself," is a tenderfoot who somehow manages to come out on top when he heads westward. The villains (who aren't all that villainous) try to promote a phony stock deal, but Roy and his pals foils their plans. The comedy honors go to Guinn "Big Boy" Williams as a blowhard sheriff. Smoky Mountain Melody was scripted by Barry Shipman, the son of pioneering female filmmaker Nell Shipman.
Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.
Sharpshooter Calamity Jane takes it upon herself to recruit a famous actress and bring her back to the local saloon, but jealousy soon gets in the way.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.
An Arizona teacher (Noah Beery Jr.) saves a vaudeville star (Martha O'Driscoll) and her troupe from a bandit (Leo Carrillo).
Bad bank robber falls in love with granddaughter of miner he and his men planned to rob of gold, has change of heart.
Gridley is mining silver from an old Mexican mine and bringing it into the USA thru a passage into his worthless mine. Border guard Rogers suspects Gridley and finally finds the secret entrance to the Mexican mine. He sends Lee Madison for help only to have her captured by Gridley. Trigger brings help that takes care of Gridley's men and now Roy has to rescue Madison.
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.
Embezzler, shill, all around confidence man S. Quentin Quale is heading west to find his fortune; he meets the crafty but simple brothers Joseph and Rusty Panello in a train station, where they steal all his money. They're heading west, too, because they've heard you can just pick the gold off the ground. Once there, they befriend an old miner named Dan Wilson whose property, Dead Man's Gulch, has no gold. They loan him their last ten dollars so he can go start life anew, and for collateral, he gives them the deed to the Gulch. Unbeknownst to Wilson, the son of his longtime rival, Terry Turner (who's also in love with his daughter, Eva), has contacted the railroad to arrange for them to build through the land, making the old man rich and hopefully resolving the feud. But the evil Red Baxter, owner of a saloon, tricks the boys out of the deed, and it's up to them - as well as Quale, who naturally finds his way out west anyway - to save the day.
Gunslinger Annie Oakley romances fellow sharpshooter Frank Butler as they travel with Buffalo Bill's Wild West Show.
A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.