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Wanted For Murder. Jim Dancer. Directed by Edwin L. Marin and written by Frank Gruber, Fighting Man of the Plains stars Randolph Scott, Victor Jory and Jane Nigh. Music is by Paul Sawtell and cinematography by Fred Jackman Jr. A solid and sturdy Marin and Scott Oater that finds Scott as an ex Quantrill raider assuming the identity of a dead detective in a post Civil War Lanyard, Kansas. Proving himself as a fella made of stern stuff, he's quickly appointed Marshal and begins to clean up the town, but his past is sure to catch up with him... Without breaking any new ground this still manages to get the key ingredients right in the name of entertainment. The script is sharp, the performances equally so (Jory is excellent), and Marin being the good old pro that he was, pushes things along at a good clip. There's a lot going on in Lanyard, with various underhand plottings and a few vengeful motivations. While of course there's some simmering passion waiting to explode. The many key characterisations are richly born out, the action healthy, and there's even a couple of surprises along the way to keep the plotting interesting. A couple of errors out there in the intranet universe need correcting. Some have it that Dale Robertson as Jesse James plays a big part in the cleaning up of Lanyard (yes Jesse is kind of a good bad guy here), but he doesn't as he's barely in it, but he does have a key scene to play in pics finale. So fans of Robertson, in what is believed to be his first credited role, should take that on board. Secondly. I read a review that states Jory's Dave Oldham character is one of the shifty villains of the piece! He really isn't, he's firmly a friend and ally to Jim Dancer (AKA: Marshal Cummings), and it is he who is the one helping to clean up Lanyard. Another thing of note, filmed in Cinecolor, there seems to only be black and white prints of the movie available to view? Which is actually OK as the print I saw had that late 40s noirish vibe to the photography, but you would like to have the option of seeing the colour print for sure. 7/10
Randolph Scott plays a bit of a poacher-cum-gamekeeper in this western adventure. Here, he ("Dancer") starts off riding with the infamous Capt. Quantrill during the American Civil War. He is misled by his cohort "Yancey" (Paul Fix) into believing that an old man they encounter in Kansas killed his father, so he does for him too. It soon turns out, though, that it was the deceased man's brother that did the deed, and by now "Dancer" is being sought by the authorities. When he is apprehended, serendipity take a fateful hand as his captor is accentually killed and he assumes his identity, Next thing, he's a town marshal and a battle royal is shaping up between his new found friends and his old protagonist "Slocum" (Barry Kelley). The sequential nature of the story telling keeps the action coming thick and fast, and Scott does an adequate job. The rest of the cast are neither here nor there, though - especially the really rather lacklustre Jane Nigh ("Florence") and an oddly un-menacing "Tancred" (Bill Williams). Still, its almost bang on 90 minutes, and makes for a perfectly watchable western feature with plenty going on.
A group of "Phantom Raiders" interfere with a cattle drive from Texas to Abilene; fortunately, U.S. Marshal Wild Bill Hickok is appointed to ensure the success of the mission.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
Three New York businessmen decide to take a "Wild West" vacation that turns out not to be the relaxing vacation they had envisioned.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
Down-and-out cowhand Jim Garry is asked by his old friend Tate Riling to help mediate a cattle dispute. When Garry arrives, however, it soon becomes clear that Riling has not been entirely forthright. Garry uncovers Riling's plot to dupe local rancher John Lufton out of a fortune. When Lufton's firecracker of a daughter, Amy, gets involved, Garry must choose between his old loyalties and what he knows to be right.
During the Klondike Gold Rush, a misanthropic cattle driver and his talkative elderly partner run afoul of the law in Alaska and are forced to work for a saloon owner to take her supplies into a newly booming but lawless Candian town.
When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.
Old Ma Conway champions statehood for Wyoming, believing the measure would put an end to the territory's lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow and greedy banker Dixon. When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo to put the fear of God in the woman.
Broke and in debt, an otherwise honest cowboy and his buddy get mixed up in some shady dealings with a crooked cattle dealer.