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Some over-stuffed blockbuster actioners boldly boast their explosive and invigorating productions with dynamic glee. Well, the ‘Mission: Impossible’ film franchise echoes this same sentiment, with flashy fifty-something star Tom Cruise still carrying that boyish exuberance that never seems to miss a beat, and can breathe a sigh of relief because the latest chapter will not disappoint in its adventurous, adrenaline-rushing skin. Yes, Cruise is back as IMF super spy stud Ethan Hunt in writer-director Christopher McQuarrie’s power-surging ‘Mission: Impossible-Rogue Nation’. Notoriously slick, ambitious, wildly impish and vastly intriguing, ‘Rogue Nation’ incorporates superb direction, writing and, of course, its no-nonsense dosage of non-stop shenanigans to fuel the audience’s escapist palates. In actuality, ‘Rogue Nation’ is a hyper and hip throwback to the original blueprint for this kinetic movie series that took viewers by storm when it first premiered back in 1996. The minor outcry for the box office sensation that was the ‘Mission: Impossible’ big screen offering back in the late 90s was quite understandable since it did not seem to stay entirely true to the iconic 60s television series thus being dismissed as a volt-driven vanity piece for the high-strutting Cruise. Still, the cinematic ‘Mission: Impossible’ experience did not peter out but steadily built a devoted fan base that wanted to endure the high-flying hedonism of Cruise’s espionage daredevil Hunt and his band of cunning cohorts. It is definitely safe to say that the stellar ‘Mission: Impossible-Rogue Nation’ has delivered a bang for its buck in a summertime cinema hunger that thrives for such sleek, innovative spy thrillers that charm more than harm. Maybe ‘Rogue Nation’ will not let anyone forget the exploits of the legendary James Bond spy capers anytime soon but hey…Cruise’s hotshot Hunt has a colorfully distinctive way of promoting his ‘shaken, not stirred’ moments as well. So how did the collaboration of filmmaker McQuarrie and his chance-taking lead Cruise give ‘Rogue Nation’ its deliciously sinister, overactive pulse? The fact that the overzealous stuntwork (much of it performed by Cruise with daring enthusiasm) is imaginative and the story feels smart and clever certainly has a lot to do with the magnetic appeal of ‘Rogue Nation’. Hey, the TV advertisements even give a generous peek into the pulsating platitudes that the MI universe will swallow with robust anticipation. Watch IMF agent Hunt hang on to a speedy airplane with his dear life in the balance. Watch IMF agent Hunt jump into a deadly spiral of a waterfall. Watch IMF agent Hunt race a piercingly fast motorcycle (or car…take your pick) and enjoy the road raging carnage with poetic prominence. Okay…you get the picture. The premise in ‘Mission: Impossible-Rogue Nation’ has more bounce to it than a basketball during the NBA playoffs and that is not necessarily a bad thing to note. While Hunt continues his mission to stop the team’s latest despicable foe (Sean Harris) and end the operation of the insidious operation known as the Syndicate there are feathers being ruffled because of the federalised threats to shut down the IMF empire through the suggestion of a top-notch CIA director (Alec Baldwin). Naturally, IMF head honcho Brandt (Jeremy Renner) tries to prevent such hasty actions as his team of agents must overcome some of the controversy and confrontations from previous disastrous events that have warranted the threatening hints to shutdown his governmental outfit. Cruise's Agent Ethan Hunt is leaving on a jet plane and doesn't know how long he'll be back again in the eye-popping actioner MISSION: IMPOSSIBLE-ROGUE NATION. Cruise’s Agent Ethan Hunt is leaving on a jet plane and doesn’t know how long he’ll be back again in the eye-popping actioner MISSION: IMPOSSIBLE-ROGUE NATION. One cannot say enough about the ponderous yet action-packed ‘Rogue Nation’ as this exceedingly spry and hyperactive spy caper keeps one on their anxious feet while never letting up for a gasp of air. The exotic locales, showy opera houses, heart-pounding action sequences, innovative chase scenes on wheels, over-the-top baddies, well-choreographed fist fights and, of course, Cruise’s roguish Hunt and his willingness to soak up the mischievousness and mayhem of the proceedings allows this particular ‘Mission: Impossible’ installment to resonate so soundly in its off-kilter, energetic greatness. The supporting players such as Simon Pegg’s Benji and Ving Rhames’s Luther are on hand to contribute to the landscape of the triumphant cloak-and-dagger goings-on. In particular, Rebecca Ferguson is the transfixing tart whose presence as Cruise’s enigmatic female lead is easily a scene stealer. Can she be trusted or not? Who cares? In the long run, Ferguson’s inclusion is almost mandatory just to spice up this first-rate popcorn pleaser a tad bit more. Tom Hollander (‘In the Loop’) adds some flavor in the mix as the unpredictable British Prime Minister. McQuarrie (who worked with Cruise previously on ‘Jack Reacher’ and helmed ‘The Way Of The Gun’) had a tough act to follow in terms of trying to keep stride with prior ‘Mission: Impossible’ big names in auteurs Brian De Palma, John Woo, J.J. Abrams and Brad Bird. Indeed, that is a tall order to fill. However, as the Oscar-winner screenwriter for ‘The Usual Suspects’ McQuarrie has shown that his take on the fifth edition of the ‘Mission: Impossible’ film franchise with ‘Rogue Nation’ can easily be as defiant and defining as any of his predecessors’ intense, eye-popping outings. ‘Mission: Impossible-Rogue Nation’, with its lavish set pieces and sophisticated sense of winding and grinding with the twitchy antics of Cruise leading the pack, is perhaps the closest thing to resembling the elegance and excellence of the indomitable Agent 007. Mission: Impossible-Rogue Nation (2015) Paramount Pictures 2 hrs. 12 mins. Starring: Tom Cruise, Simon Pegg, Jeremy Renner, Ving Rhames, Sean Harris, Rebecca Ferguson, Tom Hollander, Simon McBurney and Zang Jingchu Directed and Written by: Christopher McQuarrie Rating: PG-13 Genre: Spy Thriller/Action-Adventure/Intrigue and Espionage Critic’s Rating: *** 1/2 stars (out of 4 stars)
Everything you can expect from a "Mission: Impossible" movie. The script is not the brightest nor the freshest but works OK. Cruise, Pegg and Rhames keep the franchise afloat while Renner and Baldwin feel unneeded. Great addition with Ferguson. She takes most of the attention in this movie. Good work from the direction.
So after all that, I’m pretty convinced that the _Mission: Impossible_ series just isn’t for me. That being said, how many film franchises can say that their fifth instalment was also their best? Probably just this one, and, maybe _Fast & Furious_. There’s actually a lot of parallels between those two lines of movies. Pertaining specifically to _Mission: Impossible_ though, this one truly is the best of the bunch in my opinion. It has it’s most complete female role to date, in fact, you could say that of any character. This is the first film that doesn’t feel like it entirely hinges on Ethan Hunt’s input. The characters surrounding him are actual people with their own personalities and ideas. And maybe it’s just that I’ve watched him do it five times in the past three days, but honestly I even sort of bought Tom Cruise in an action role this time around. Crazy. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Perhaps if Uncle Sam had just taken the view that what it doesn't know wouldn't do it any harm, then "Hunley" (Alec Baldwin) wouldn't have managed to get them to shut down the IMF! They do, however, and that casts "Hunt" (Tom Cruise) and his team even more into the shadows. Their timing could hardly have been worse as just at this point, a sophisticated "Syndicate" is out for world domination. They are starting out by innocuously disposing of some key global figures - all looking like accidents, but despite his protestations to the sceptical CIA, "Hunt" remains on the outside and needs to rekindle the gang to thwart their intentions - intentions that have their roots deep within the establishment. Nope, it's not original. Not in the least. This is just another excuse for Cruise to show of his stunt-man skills, for the CGI boys to let rip and for the deadly and nimble assassin "Ilsa Faust" (Rebecca Ferguson) to flirt with menace. I still can't get my head around why Simon Pegg is here (or in "Star Trek") as I find his characterisations linear and annoying, but Ving Rhames brings an amiable bit of less is more and Jeremy Renner also works well as sidekick "Brandt". There's plenty of action, pyrotechnics, gadgets, rubber faces and though the denouement isn't exactly Pulitzer stuff, the whole film moves along entertainingly, if predictably, for just over two hours with an increasingly distinctive British slant to the proceedings. Like all of these, they really do need a big screen to come alive but once there, they are usually quite good - this one is.
A couple of beautiful girls are murdered while sunbathing at a luxury hotel. The killer too is murdered, but able to reveal – before dying - that they were disposed of because the “knew too much”. Something bad is being planned in Beirut, and it has something to do with a man called The Sheikh, who has only four fingers. It seems this isn’t a lone incident. The Sheikh is also thought to be behind the assassination of several prominent scientists.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.
Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.
Gaira, a humanoid sea beast spawned from the discarded cells of Frankenstein's monster, attacks the shores of Tokyo. While the Japanese military prepares to take action, Gaira's Gargantua brother, Sanda, descends from the mountains to defend his kin. A battle between good and evil ensues, leaving brothers divided and a city in ruins.
It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.
Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.
Three American vaudeville entertainers become involved with spies in Hong Kong, just before Pearl Harbor.
Crooked cop Torrente gets out of jail in the year 2018 to find a different Spain from the one he knew.