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It's about the Duke's image really you know. When her father is shot and killed, Mattie Ross is outraged and thirsting for revenge. Seeking out Rooster Cogburn based on his gritty reputation, and aided by Texas Ranger LaBoeuf, they head off to find the killer. It's not bold or foolish to say that John Wayne has not only been in better films, he's also given better performances than his Oscar winning turn here in True Grit. However, few of his fans, or anyone who had watched his career closely, were complaining that the big man collected the pinnacle of acting awards. True Grit is a highly entertaining picture that when all is said and done, is as much about Wayne's image as it is a revenge character driven piece. Suffering with ill health in the twilight of his career, Wayne delivers a warm and humble performance as Cogburn. Eye patch over one eye, Rooster Cogburn is a rapscallion who is impossible to dislike, and that comes down to Wayne and his mannered performance. True Grit is boosted by the sparky performance of Kim Darby as Mattie Ross, with the chemistry between herself and Wayne warm and honest, and this gives the film its emotional core, with both characters needing each other without even knowing it. It almost wasn't to be for Darby though, Mia Farrow was the preferred choice for Mattie, but Farrow unwisely took advice from a mischievous Robert Mitchum and turned down the part, something she is quoted as saying she regretted for the rest of her career. Faring not so well, though, is Glen Cambell as LaBoeuf, guilty of trying too hard, he just becomes hard to take seriously, and this even in the jovial moments. Robert Duvall lands bad guy duties but doesn't quite get to grips with it, and the rest of the cast are merely making up the numbers. Thankfully director Henry Hathaway shoots it just about right, he, along with his excellent cinematographer Lucien Ballard, are framing Wayne and all his iconic being in one loving movie. So in what could have been a standard hunt the villain picture, actually turns out to be quite a character driven treat. 8/10
This has got to be one of the finest of this genre ever made. Wayne is superb as a tough, uncompromising US marshal engaged by a naive, but headstrong Kim Darby to avenge the murder of her father. The vain, self-assured Texas Ranger "La Beouf" (Glen Campbell) is also on the hunt and the three of them set off to track down "Lucky Ned Pepper" and his gang. The photography is stunning and we do get quite a sense of the sheer scale of the territory as they close in on their prey. This is a well written, tensely, even - on occasion - quite humorously directed movie with some great music and indubitably a legend out in front who isn't afraid to look old and out of condition. Robert Duvall plays a mean "Ned Pepper" and Strother Martin has some fun as the horse-broker. This is super cinema.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A Montana bounty hunter is sent into the wilderness to track three escaped prisoners. Instead he sees something that puzzles him. Later with a female Native Indian history professor, he returns to find some answers.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
The girlfriend of the Sundance Kid is on the run, with a price on her head, when she hears rumors that Sundance may still be alive.
Yukon Territory, Canada, November 1931. Albert Johnson, a trapper who lives alone in the mountains, buys a dog almost dead after a brutal dogfight, a good deed that will put him in trouble.