The World and the Woman

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

Martin is an unscrupulous chap who has never cared about anyone but himself until he meets Irina, a Russian girl.

A stripper from Club Chez Nous is murdered. The killer contacts a newspaper to whitewash himself. Two journalists start to investigate the case and stumble on other crimes along the way.

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.

In Afghanistan, "batchas" are young male prostitutes who live under the protection of a master in a house where they are trained to dance dressed as girls for a men's audience. Veteran dancer Saman starts worrying when he sees Bijane, the new recruit, who has been chosen to replace him. Despite his jealousy, he must initiate Bijane into the art of the Batcha dancing.

Brenda sets up a white slave business after escaping from prison. Not a woman who has entered her business comes out alive.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.