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Gerty, we're not programmed. We're people, do you understand? Directed by Duncan Jones and starring Sam Rockwell, Moon finds Rockwell as Sam Bell who is coming to the end of his three year contract on a lunar station working for Lunar Industries. His only companion is an intelligent computer named GERTY (voiced by Kevin Spacey). When Sam has an accident he awakens to find he is now not alone and all he thought and believed in is just not as it seems. Forget any fears about a low budget and any plot similarity to 2001: A Space Odyssey, for this is a cracker jack of a science fiction picture. Film quickly fills us in on Sam Bell the man and his function up there on the lunar station. His relationship with GERTY the computer grabs our interest whilst the production design has a sort of medicinal sheen to it. Once Sam's solitude is established, the minimal contact with Earth explained, the pic then spins into another dimension, dragging both Sam and us viewers into the vortex. To say more would be churlish, but this is adult science fiction, clever in existential whiles and scathing with observations on corporate shenanigans. Narratively it's evocative in its telling, even haunting and philosophical, where a brilliant Rockwell nails every inch of Bell's search for being, and crucially, the truth. It's all building towards a finale of some devilish substance, no cop outs or easy fed answers, just a pertinent question asked of the viewers. Moon comes highly recommended to sci-fi fans who are after a bit more than mere sparkly fluff and robotic chaos. 9/10
Great watch, would watch again, and do recommend. Sam Rockwell no only carries the movie, but he's literally the only person in the movie that isn't on a screen. He plays off himself amazingly well and really balances the struggles of both the individual and the clone to clone interaction. The struggle feels like how someone would react to the situation, and Rockwell adds his own special flair to it. The setting of Luna is amazing, granted it's mostly in the small station, but it makes me jealous that we haven't established moon colonies. Space madness might be a real thing, but it is because someone is alone and not part of a group. I want more movies like this for every reason: more Sam Rockwell, more Luna settings, more clone movies, more isolation theory, more, "OMG, MY ENTIRE LIFE IS A LIE, WHAT IS HAPPENING!".
A quiet, psychological sci-fi thriller with a grim atmosphere, ‘Moon’ is carried by a greatly nuanced performance by Rockwell. 8/10
Sam Rockwell is really good here as the sole occupant of a lunar base. Coming to the end of his three year stint, "Sam" is beginning to suffer from the effects of his loneliness. With only his automated pal "GERTY" (Kevin Spacey) for company, he longs to get home to his wife and daughter and to some semblance of a normal life. His job is to harvest the clean energy giving "Helium-3" and send it back to Earth and it's an accident on one of the harvesters that sees him wake up in the infirmary. "GERTY" assures him that everything is OK, but when he gets back on his feet, he becomes uneasy about the truth. How did he get back? What did happen? Despite the protestations of his carer, he returns to the silo and makes quite a startling discovery. Is he losing the plot? This interaction causes him to question everything about himself, about his mission and about, most importantly, his future. Does he have one? Does he even have a past? Rockwell really does capture strongly the sense of encroaching, almost claustrophobic, isolation married with an increasing sense of confusion and exasperation. He starts to feel fear - but what of? It's the increasing lack of the tangible - mental or physical that gives this story a potency and the supposed caring voice that emanates from the walls ostensibly looking out for him, becomes more menacing as the story rattles along. Well worth a watch if you like your sci-fi a bit more cerebral.
At the very start of the movie you might think to yourself: "Why did they send an idiot with schizophrenic tendencies to the moon?". By the end of the movie you'll see exactly why this person was chosen. If you can tolerate the numerous inaccuracies and mistakes the producer makes with regard to the conditions on the moon and in space, then this movie is very entertaining and I recommend watching it.
In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.
After a lightning bolt zaps a robot named Number 5, the lovable machine starts to think he's human and escapes the lab. Hot on his trail is his designer, Newton, who hopes to get to Number 5 before the military does. In the meantime, a spunky animal lover mistakes the robot for an alien and takes him in, teaching her new guest about life on Earth.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
A young pianist is shocked when she witnesses a strange chess tournament with a robot. Could there be a gruesome secret behind this exhibition?
When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
After years of outrunning ruthless bounty hunters, escaped convict Riddick suddenly finds himself caught between opposing forces in a fight for the future of the human race. Now, waging incredible battles on fantastic and deadly worlds, this lone, reluctant hero will emerge as humanity's champion - and the last hope for a universe on the edge of annihilation.
After their narrow escape at the end of "Pitch Black," Riddick, Jack and the Imam find themselves at the mercy of a madwoman who intends to entomb Riddick forever as part of a twisted art exhibit. With little but a shiv and Riddick's innate viciousness to aid them, Riddick and his allies must find a way to escape from their captor and her band of mercenaries.
When astronaut Spencer Armacost returns to Earth after a mission that nearly cost him his life, he decides to take a desk job in order to see his beautiful wife, Jillian, more often. Gradually, Jillian notices that Spencer's personality seems to have changed, but her concerns fade when she discovers that she's pregnant. As Jillian grows closer to becoming a mother, her suspicions about Spencer return. Why does it seem as if he's a different person?
A radio signal attracts a team of astronauts to a mysterious planet. Once there, they are warmly welcomed by an alien race, but are soon suspicious of what is really occurring on this strange land.