Videoke King

The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.

Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.

In a time in the Philippines when the concept of divorce does not exist, a young woman has an affair with a married man. Eventually, they move in together, and that is when the problems start.

An aging assassin hides in a facility for abandoned senior citizens to protect a daughter he left years ago.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

Tomboyish Zsa Zsa (Klaudia) has just taken over a big business where Federico is a part-owner. Federico wants to buy Zsazsa out but she refuses. So he loses control of the company and hires Bobby to win Zsazsa's heart and later sell her stocks to him

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

The jeepney route from Remedios to Cubao, will show a splice of life of these individuals, as we take one day out of their busy lives. Witness what happens to each passenger, before and after their jeepney ride.

Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.

Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.

Young Berto is a glue-sniffing, street child that has fallen prey to human traffickers. When the street urchin meets Somascan Bro. Jerry, he finds refuge in the Casa Miani orphanage. But the brotherhood of the streets compel him to follow their code.