Bikini Destination: Triple Fantasy

'The Great Culling' of the human population has quietly begun. Covertly, insidiously, mercilessly, a global depopulation agenda has been launched. As this plays out, the vast majority of the human race will be removed from the gene pool. Genetically annihilated. Will you and your genetic lineage survive? Film-makers Paul Wittenberger (What In The World Are They Spraying?) and Chris Maple explore WHAT are the real threats to your life, your offspring and your genetic integrity? HOW can you protect yourself from those threats? WHY is a global depopulation agenda being pursued? The more you understand these answers, the greater your odds of surviving 'The Great Culling'.

The South Pacific – the ocean between the American continent and Asia, stands for endless vastness, an infinite stretch of water and pristine nature. For many, the South Pacific is synonymous with paradise sun, beaches and of course, the bikini. But the bikini, or rather the island Bikini, also stands for a disastrous series of nuclear tests, carried out by the USA immediately after the Second World War. To this end, numerous ships of different sizes and categories were brought together. The remnants of these vessels have found a watery grave at the bottom of the lagoon: in depths of up to 60 metres, practically inaccessible for the average diver. Until recently, the region could not be visited for decades, due to radioactive contamination. But how have nature and mankind developed? Accompany us to a very special ships cemetery. Explore a region untouched by human hand for more than 60 years and experience the magic of the South Seas.

Is the end of the school year, the heat comes, and with it regular power cuts in the suburbs of Rio de Janeiro. Karol, Junior, Ronaldo and Caio have a harsh summer ahead of them. In a country where living conditions are increasingly precarious, these four young people will faced with the uncertainties of adulthood, invent new ways, perhaps unthinkable, to continue growing and dreaming.

A captured performance by Parisian nude cabaret Crazy Horse, in a surreal show directed by French footwear designer Christian Louboutin. Louboutin calls Crazy Horse “an iconic monument of Paris, a monument to dance, a modern, dream- like idea of the celebration of women for women”.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A proof by example of the existence of beauty within Seattle.

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.