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It wasn't just in the USA that racial tension was rife in the 1960s, it was also pretty toxic for many living in urban Britain too. That's exemplified here by the young "Peter" (Johnny Sekka) who works at a factory where there's a sort of truce between the colours that's striven for by union man "Jacko" (John Mills) who just happens to be the father of "Kathie" (Sylvia Syms) who just happens to be the girlfriend of "Peter". Small world, but not an happy one. Her mother "Nell" (Brenda de Banzie) is more openly hostile to this pairing but dad isn't a great fan either. It's so much because they are racist in themselves, but more that they have a concern for their daughter in a big city where mixed-race relationships were distinctly frowned upon and "half-caste" babies even more so. These aren't just paper-based threats, we can see from the stirring that goes on at their workplace that the young locals are just as keen on causing trouble; making their lives awkward and even dangerous. It's all building to a Guy Fawkes night bonfire that's likely to burn more than old wood from bomb-damaged buildings. There's some good and poignant writing underpinning this drama and the solid efforts of Mills, Syms, Sekka and Earl Cameron help condense quite a lot that's visceral into this tautly directed feature. It's de Banzie, though, who stands out for me. The conflicted mother whose not just concerned about her daughter, but also about the state of a marriage that she feels has systematically neglected her at the expense of her husband's union career and her family. That all comes to a boil too, leaving us with quite a lively and thought-provoking series of conclusions. It's violent at times, but ultimately Roy Ward Baker has let the words and the imagery do most of the heavy lifting here, and I thought it a potent piece of British cinema.
A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.
Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man's end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.
Set at the beginning of the Civil War, Tap Roots is all about a county in Mississippi which chooses to secede from the state rather than enter the conflict. The county is protected from the Confederacy by an abolitionist and a Native American gentleman. The abolitionist's daughter is courted by a powerful newspaper publisher when her fiance, a confederate officer, elopes with the girl's sister. The daughter at first resists the publisher's attentions, but turns to him for aid when her ex-fiance plans to capture the seceding county on behalf of the South.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider whom takes the youth under his wing.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
In 1969, an administrator runs against the corrupt president of the United Coal Miners Union, and becomes the target of a murder plot.
Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.
Alí and José María, friends on a work trip in an old Volkswagen, get stranded in a village and make friends, but they discover that their job could alter the fate of the place.
Two coworkers decide to blackmail the corrupt demolition company they work for by setting up a fake accident.
A simple Pennsylvania coal miner is drawn into the violent conflict between union workers and management.
