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Lee returns as Dracula after an 8-year absence. RELEASED IN 1966 and directed by Terence Fisher, “Dracula: Prince of Darkness” focuses on two English couples circa 1900 traveling the mysterious forests of Eastern Europe who are warned to stay away from a particular area that has an ominous castle. Fools that they are, they end up spending the night and the sinister Count is resurrected. Hammer did nine Dracula films from 1958 to 1974: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1969); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Christopher played the Count in every one of these except "The Brides of Dracula" and "The Legend of the 7 Golden Vampires." As such, "Dracula: Prince of Darkness" was Lee's return to the role after a long eight year absence. Most Hammer fans praise the first film in the series from 1958, which was Lee's first gig as Dracula, and it is a solid entry with the typical Hammer highlights, like lush Gothic ambiance, bright colors, Lee & Cushing and bodacious women, not to mention Lee's diabolical interpretation of the Count and one of the most stunning horror scores by James Bernard. But the truncated story wasn't completely satisfactory and there were too many 50's limitations IMHO. I prefer this sequel as it features all the Hammer hallmarks listed above, except Cushing. Some might complain about the slow first half, but I like the way the film takes its time and concentrates on the two couples, the spooky ambiance, and the build-up of suspense. Klove (Philip Latham) is a particularly creepy character with his courteous pretense. The way he resurrects the Count is a ghastly highlight. Interestingly, Lee doesn't have all that much screen time and not one line of dialogue, so he's basically a vampire bogeyman here. But the lush Gothic atmosphere is potent and the cast shines, especially Barbara Shelley as the doomed wife of a so-“cultured”-he's-stupid husband (Charles Tingwell). And Andrew Keir as Dracula's worthy antagonist, Father Sandor, a most formidable monk. I also appreciated the elaboration on vampire lore by Sandor (Keir). One reviewer scoffed at the idea that the undead have to be willingly allowed into a person’s abode, but this fits the parallel of vampires to evil itself, which first affects a person’s mindset (ideology) and THEN their behavior or lifestyle. In short, evil cannot overtake a person unless s/he willingly allows it. THE FILM RUNS 90 minutes and was shot in Buckinghamshire and Berkshire, England, (with, perhaps, some establishing shots from Romania, e.g. the mountains). WRITERS: Jimmy Sangster and Anthony Hinds. ADDITIONAL CAST: Francis Matthews & Suzan Farmer play the other couple. GRADE: B
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.
It has been five years since Laura and Carmilla vanquished the apocalypse and Carmilla became a bonafide mortal human. They have settled in to a cozy apartment in downtown Toronto, Laura continues to hone her journalism skills while Carmilla adjusts to a non-vampire lifestyle. Their domestic bliss is suddenly ruptured when Carmilla begins to show signs of "re-vamping" – from a fondness for bloody treats to accidental biting – while Laura has started having bizarre, ghostly dreams. The couple must now enlist their old friends from Silas University to uncover the unknown supernatural threat and save humanity – including Carmilla's.
A man named Saeki who frequents the cinema and meets a beautiful college student known only as the midnight companion. When everybody had left the cinema, the two would stay behind but this suddenly stopped when the midnight companion disappeared. Three years later, he has returned but a darkness inhabits him. Their love is rekindled but…