A Quiet Place Day One 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Deal or No Deal - (Jan 20th)
Richard Osmans House of Games - (Jan 20th)
Panorama - (Jan 20th)
Outnumbered - (Jan 20th)
Hannity - (Jan 20th)
PULISIC - (Jan 20th)
Junior Bake Off - (Jan 20th)
Wipeout - (Jan 20th)
Pictionary - (Jan 20th)
Saint-Pierre - (Jan 20th)
Family Feud Canada - (Jan 20th)
Hamster and Gretel - (Jan 20th)
Bargain Hunt - (Jan 20th)
The Chase Australia - (Jan 20th)
Watch What Happens Live with Andy Cohen - (Jan 20th)
The Real Housewives of Potomac - (Jan 20th)
Silent Witness - (Jan 20th)
Snapped - (Jan 20th)
Room to Improve - (Jan 20th)
Darby and Joan - (Jan 20th)
The Culture High tears into the very fibre of the modern day marijuana debate to reveal the truth behind the arguments and motives governing both those who support and oppose the existing pot laws.
Documentary about Sport Club Corinthians Paulista, focusing on the most difficult moment of the club, when it was demoted to the second division of Brazilian football in December 2007. The story is told from the testimony of fans - called Fiel Torcida - who suffered and were still supporting the team.
An intimate documentary exploration of heritage and history against the backdrop of a brewing Afro-centric revolution as the U.S. government prepares to invade the island nation of Grenada. First hand accounts from activists Angela Davis, Fania Davis and Fannie Haughton weave together director Damani Baker’s family portrait of utopian dreams, resistance and civil unrest with a film score composed by music luminary Meshell Ndegeocello.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
It is hard to find a family home where all the members have gone to live their separate lives in different parts of the world. Travelling between different continents, the director visits divorced parents and their new partners and also meets her sister who decided to join an alternative community. Their family exists on archival films and photographs only. Is it still possible to put it all together against all odds?
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.