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Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The 11th Hour with Stephanie Ruhle - (Jan 18th)
Casualty - (Jan 18th)
20/20 - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Cold Case Files - (Jan 18th)
Cold Case Files- Murder in the Bayou - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
_**Psychological explorations in the magnificent wilds of the Southwest**_ A Deputy Marshal in Arizona (Sterling Hayden) goes after a ruthless killer (Guy Prescott) in the sunny wasteland, where he meets a spitfire (Yvonne De Carlo) and a suave bounty hunter (Zachary Scott). “Shotgun” (1955) is an obscure 50’s Western so my expectations weren’t exactly great, but it’s actually pretty unique and commendable. At first, I thought it was going to be a town-bound Western, but the movie was shot primarily in the spectacular desert wilderness of the heart of Arizona. Hayden is laconic and determined while De Carlo is spirited and beautiful; meanwhile Scott is smooth and Prescott shady. I like the psychological examination of the characters. Although the villain is wholly corrupt, most of the others function somewhere in the grey area, which makes for interesting social dynamics. The depiction of the Apaches is thankfully believable with many of them being of Amer-Indian stock. Lastly, the showdown in the last act is well done and inventive. The film runs 1 hour, 20 minutes, and was shot at Vasquez Rocks in the high country north of Los Angeles (the opening) but mostly in the Sedona, Arizona, area (Red Rock Crossing & Oil Creek) with town scenes done at Universal City, California. GRADE: B
Noir is my passion but Westerns are my comfort food. And Shotgun is a nice fast-food snack. Nothing too exciting going on here. Hadyen is a perfect cowboy as he always is. DeCarlo is done no favors by wardrobe. She wears a puffy pirate shirt and mom jeans through the entire film. Her hair is cut like every 50's TV housewife. A review on Amazon says her ass looked huge in those jeans. I regret reading that before watching because I checked her out every time she got on a horse with Sterling (she has some junk in the trunk, it's not the jeans). Scott is as slimy as he always is. The film looked great on widescreen. A few excellent scenes -- the snake bit at the beginning, and the horseback shotgun duel at the end (RIP actual snake!). Reminded me of Hayden throwing that harpoon in another western of his. Overall, Hayden is great, DeCarlo is strangely unlikable and Scott dies in a horrible way but somehow isn't moving at all.
Sterling Hayden really just goes through the motions in this rather static western adventure. He is "Marshal Hardin", determined to avenge the death of his boss at the hands of the "Thompson" gang. On the trail of their leader, he alights upon a staked-out bounty hunter and his gal, and together the three pursue their quarry. Of course he falls for the gal (Yvonne de Carlo) so there is a little hostility with "Jeb" (Zachary Scott) as they travel, but the search for "Thompson" (Guy Prescott) proves to be pretty routine, as do the concluding scenes - despite the best efforts of some marauding Apache. Some nice photography though, but the writing and characters offers us little memorable.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Two bounty hunters both pursue a brutal and sadistic bandit El Indio who has a massive bounty on his head.
Willie Duggans, a tenderfoot from the east, arrives in the wild west and soon experiences its violence. Willie discovers the easy money in bounty killing and must choose between that violent lifestyle and the love of a beautiful saloon singer.
The first of a long-running series of Monogram-produced westerns starring Johnny Mack Brown and Raymond Hatton that replaced the Rough Riders series following the death of Buck Jones in the Boston night club fire. Though the next three years featured Brown (as Nevada Jack McKenzie) and Hatton (in his Sandy Hopkins role from the Rough Riders series) as undercover marshals in some form or another, this initial entry had Brown as a lone rider seeking vengeance and he and Hatton's characters were unknown to each other through most of the film. Hopkins offer McKenzie a marshal's job at the end of the film, which the Brown character declined and rode off alone on his quest. This quest didn't take long as by the next film in the series Nevada Jack McKenzie was a full-fledged U. S. Marshal.
Tom Evans (Jon Dawson), nephew of U.S. Marshal Sandy Hopkins (Raymond Hatton), has just trailed his cattle to Yucca City, where he intends to sell to Ben Crowley (Harry Woods), owner of practically everything in town.Tom loses his money in a crooked game ran by Crowley. "Nevada Jack" McKenzie (Johnny Mack Brown), a U.S. Marshal working undercover, watches the game and secures one of the "fixed" decks of cards. Later, Tom discovers Crowley's men rustling his cattle and is shot. Nevada finds him severely wounded and hides him with Jeff Lewis (Sam Flint) and his daughter Mary (Ellen Hall). Sandy, posing as a dentist, arrives in town after a wire from Nevada. The latter confronts Crowley with the crooked deck and also with the fact that Tom is still alive, and demands a partnership from Crowley. When Crowley learns that Lewis is hiding Tom, he decides to have both Tom and Nevada killed.
In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence.
The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.
After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.