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Heed thy warning or face the consequence. The Yellow Tomahawk is directed by Lesley Selander and written by Harold Jack Bloom and Richard Alan Simmons. It stars Rory Calhoun, Peggie Castle, Noah Beery Jr., Warner Anderson, Peter Graves, Lee Van Cleef and Rita Moreno. Music is by Les Baxter and cinematography by Gordon Avil. Scout and tracker Adam Reed (Calhoun) is handed a yellow tomahawk by Cheyenne warrior Fire Knife (Cleef). It is to be given to Major Ives (Anderson) as a proclamation of war, a heed to get women and children out the way prior to attack. Ives stubbornly rejects the threat... Another splendid 1950s Oater begging to be sought out by fans of the genre, and another reason to laud Calhoun as underrated in his time. Story wise there are familiar tropes, but it's always nice to see a screenplay sympathetic to the Native Americans, where here led by *ahem* Van Cleef they are fed up of encroachment and seek to defend their tribal lands. There is honour in the actions, which in turn solidifies a believable friendship between Fire Knife and Reed. It's also in parts sexy, which gets its first marker during Reed and Katherine's (Castle) first meeting, god bless water! Ok! So the inevitable coupling is all a bit sudden and trite given an event previously, but the romance factor here does not hinder the depth of the screenplay. Also bonus is that Reed is not some unstoppable muscular hero, he is openly shown to be as fallible in a fight as all of us can be - twice! The makers are not here purely for comic book There's twists in store as well, one of which is a doozy, while the action as you would expect under Selander is very competent and exciting. You will not forget the massacre sequences, where the eye for an eye - violence begets violence theme is banging the drum, while the presence of Beery and Graves is most welcome. Filmed in Colour but released to TV in black and white, a Western fan can't help lament this fact. For you can see the wonderful Kanab locations begging to be colourized. Shame that. The messages within my grate on some, but if shrugging that off there is a whole lot for Western supporters to savour here. 7/10
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.
Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace.
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
An army gold shipment and its escort vanish in the Ozarks, prompting accusations of theft and desertion but frontiersman Old Shatterhand and Apache chief Winnetou help solve the mystery of the missing army gold.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Gwen, who is married to Torito, an Indian, she escapes from a rape attempt and is found wandering in the wilderness by Johnny, who leaves her with a missionary Father Ryan. A difficult situation emerges involving warring families and those who had assaulted her, still on their trail.
Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
Rollins' gang wants to grab land by inciting the settlers in a war against the Indians but Winnetou and Old Shatterhand try to keep the peace, until Rollins frames Winnetou up for the murder of Jicarilla Chief's son.