Rambling 'Round Radio Row #2

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Documentary about the making of The Doors’ album Morrison Hotel, considered by many to be one of the greatest resurrection albums of all time. Released in 1970, opening with its iconic guitar lick from the breakout hit Roadhouse Blues, the album sold a million copies in less than 3 days.

This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to cultural movement.

This documentary opens a new door to Springsteen's creative process for fans around the world, sharing fly-on-the-wall footage of band rehearsals and special moments backstage — as well as hearing from Springsteen himself.

American rock band Halestorm closed out its "Back from the Dead" world tour in December 2023 with a sold-out show at London's OVO Arena Wembley. Frontwoman Lzzy Hale called it a "right of passage" and "huge milestone." The band surprised fans by announcing a live album and this concert film in May 2024, a week before their release.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.

Singer Irene is in Reno for a divorce, though her friend Bob tries to convince her it's all a mistake. Then husband Cliff shows up.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.