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Although this does definitively conclude, there is something almost unfinished about this story based around the aftermath of the Spanish Civil war. We start with "Miguel" (Gregory Peck) joining a long line of defeated republican freedom fighters leaving their country to exile in France. Meantime, his nemesis - police captain "Viñolas" (Anthony Quinn) is scheming up ways to entice him back... An opportunity occurs when the man's mother becomes seriously ill, and so every effort is made to get a message to her son to tempt him back. What now ensues is quite a poignant story that Peck, Omar Sharif as the priest "Francisco" and an effective Raymond Pellegrin as the young and vengeful "Carlos" deliver strongly. Fred Zinnemann take his time to develop the characters and the relationships, to illustrate the manipulation and betrayal - as well as the love, honour and loyalty. There's a little bit of police brutality and religious conflict and the writing leaves us enough space to come to our own conclusions about this developing scenario. Peck was good in these sort of loner, brooding roles, as was Quinn in the rather sinister ones and this is an enjoyable to watch meeting of two character actors making the best of a solid story.
Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.
Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.
Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.
Following the Spanish Civil War, a man goes into hiding to avoid arrest by the victorious Nationalist forces.
In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.
"The Anarchist's Wife" is the story of Manuela who is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years, pass without a word from him, but his wife never gives up hope of seeing him again.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.
The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.