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"[An] ugly skyscraper of a film; to build it must have been a monumental undertaking (that cost Disney a reported $230million), but what, if anything of merit is the outcome...?" Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/24/pirates-of-the-caribbean-dead-men-tell-no-tales.html
There has never been a truly awful, **awful** entry in the _Pirates of the Caribbean_ franchise. But there's only ever been one that was truly any good. _Dead Men Tell No Tales_ does nothing to alter these assertions. I would not begrudge anybody who enjoyed their time with this latest _Pirates_ movie, particularly anyone who saw it on the big screen, there's the zany action romps that the series has been famous for from the get go (and that started wearing thin on me after the second one) and some truly spectacular visuals including shiny rocks and zombie sharks (which I will refrain from making a joke about jumping). But where _Dead Men Tell No Tales_ fails harder than anywhere else is in its dialogue. Virtually every line is uncomfortable to hear delivered, and I can't see myself looking forward to the inevitable sixth instalment. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
If only we could recycle our waste as efficiently as Disney appear to be able to recycle this theme! Once again, we find "Jack Sparrow" (Johnny Depp) in a bit of bother from someone from his past. This time it is Javier Bardem ("Salazar") who has escaped from his purgatory in the "Devil's Triangle" to avenge himself on his arch-enemy. Meantime, the young "Henry Turner" (Brenton Thwaites) seeks help to track down Poseidon's Trident which will empower him to take control of the seas, and to reunite with his father - the original "Bootstrap" (Orlando Bloom). There's no doubt that this is a great looking film, the effects are spectacular but the story is little better than a regurgitation of voyages gone by. The cuties that were Bloom and Kiera Knightley have been succeeded by the handsome, boyish Thwaites and his feisty astronomer pal "Carina" (Kaya Scodelario) but otherwise, it is another pretty formulaic prolongation of this colourful adventure franchise. It has some humour, there's a tiny cameo from Sir Paul McCartney that raises a smile (if only because you are never entirely sure if it is actually him); Geoffrey Rush still manages to inject oodles of charisma as "Barbossa", and Bardem offers a bit of menace - but Depp can only get away with that hail-fellow-well-met meets a drunk persona so often before he becomes a parody of his own characterisation. It's fun to watch, for a time, but after a while I was just bored. The format offers unlimited opportunity for fantasy and adventure, but maybe it is time for the "Black Pearl" to join the "Queen Mary" and HMY "Britannia" and just settle down as a respectable old lady of the sea - and a tourist attraction!
It was a lot better than the 3rd installment, it was more memorable than the bulk of the 4th...but there are issues. The charm of the original two is missing and Jack seems worn down and not nearly as much fun as he was in past installments. He seemed to go from the lovable scoundrel that Forest Gumps his way through the 7 seas, to just, well, to just a drunkard. Lets hope in the next one we get the charm and fun back, rather than a paint by numbers installment with a less than fun Sparrow.
Part 5 has Jack Sparrow now on a quest for to find the trident of poseidon. Still a lot of the original crew is missing as well. Still a good movie and lots of crazy scenes.
When single mom Callie and her two kids Trevor and Phoebe arrive in a small Oklahoma town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.
Captain Jack Sparrow crosses paths with a woman from his past, and he's not sure if it's love — or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne's Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know who to fear more: Blackbeard or the woman from his past.
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
Deep sea fishing expedition comes to a halt when a freak storm appears and passengers are washed ashore. Youngsters help the survivors avoid endless hazards and the evil island leader while they try to escape being devoured by the rampaging ravenous carnivores of Dinosaur Island.
A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
Flight 23 has crashed in the Bermuda Triangle after a hijacking gone wrong. Now the surviving passengers must brave panic, slow leaks, oxygen depletion, and more while attempting a daring plan, all while 200 feet underwater.
Obro the muscleman goes to Atlantis and sinks a death-ray king who knows the secret of immortality.