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**A forgotten film that deserves to be revisited, even with all its flaws.** Personally, I liked this film. It's one of those films that fell into oblivion very quickly, which doesn't seem fair to me: the film is much better than many more expensive and publicized productions, even though it has serious problems, which I'll talk about. Perhaps very few, besides the producers and cast, really believed in it: it didn't receive much attention from studios and theaters, it was a huge success in Asia but was ridiculed in the USA, while Europe seems to have ignored it. The film has a very good, but small, cast: Christopher Reeve was still reaping the rewards of the success of “Superman”, but that didn't stop him from putting in a lot of effort into this smaller work. The actor is a solid protagonist, and his work is one of the levers that moves the film forward and gives it quality. Next to him, we see the elegant Jane Seymour, still quite young, in a performance full of dignity and where she establishes excellent chemistry with Reeve. Christopher Plummer was less fortunate: the actor, whose credits and talent are beyond doubt, received a cliché and quite artificial character because the villain was necessary to the plot anyway, and had to be someone sufficiently worthy of our disdain. This leads us to talk about the script, which has its merits and also many demerits: the story is based on a somewhat mystical passion between Richard Collier, a modern-day playwright, and Elise McKenna, a young and successful actress from the past. Right at the beginning of the film they meet when she, already elderly, gives him a watch and says a few short and mysterious words to him. Eight years later, he becomes fascinated by a young woman, portrayed in 1912 in a room in an old hotel, discovering her identity. He then decides to try self-hypnosis to go back in time and find her. The script thus creates a kind of love at first sight, in which the object of passion is a photograph of someone who has long since passed away and who you have never met. Just the idea itself seems bizarre, and things don't get better when we introduce time travel and the notions of regression and self-hypnosis, which only the “new age” crowd will really value in some way. Perhaps it would have been preferable to travel through “traditional” time through some machine, portal or “wormhole”. Technically, the film shines due to the choice of filming location (the hotel still exists and can be visited) and the design of the sets and costumes, full of details and well made, worthy of the Oscar nomination in 1981. The editing is quite regular, and the film unfolds without haste, but also without dull moments. The cinematography comes in joyful warm colors and the soundtrack is dominated by two distinct, but by no means incompatible, tonics: the excellent Rhapsody on a Theme of Paganini Op. 43, by Rachmaninoff, and a hypnotic and striking melody composed by John Barry.
The Doctor struggles to help the only remaining crewmember of a crashing gunship. The people of the planet below offer to save his life, but at a dear cost to the life he's lived for hundreds of years.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost - love, excitement, passion - this classic American independent film explores themes of aging and alienation.
