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**A forgotten film that deserves to be revisited, even with all its flaws.** Personally, I liked this film. It's one of those films that fell into oblivion very quickly, which doesn't seem fair to me: the film is much better than many more expensive and publicized productions, even though it has serious problems, which I'll talk about. Perhaps very few, besides the producers and cast, really believed in it: it didn't receive much attention from studios and theaters, it was a huge success in Asia but was ridiculed in the USA, while Europe seems to have ignored it. The film has a very good, but small, cast: Christopher Reeve was still reaping the rewards of the success of “Superman”, but that didn't stop him from putting in a lot of effort into this smaller work. The actor is a solid protagonist, and his work is one of the levers that moves the film forward and gives it quality. Next to him, we see the elegant Jane Seymour, still quite young, in a performance full of dignity and where she establishes excellent chemistry with Reeve. Christopher Plummer was less fortunate: the actor, whose credits and talent are beyond doubt, received a cliché and quite artificial character because the villain was necessary to the plot anyway, and had to be someone sufficiently worthy of our disdain. This leads us to talk about the script, which has its merits and also many demerits: the story is based on a somewhat mystical passion between Richard Collier, a modern-day playwright, and Elise McKenna, a young and successful actress from the past. Right at the beginning of the film they meet when she, already elderly, gives him a watch and says a few short and mysterious words to him. Eight years later, he becomes fascinated by a young woman, portrayed in 1912 in a room in an old hotel, discovering her identity. He then decides to try self-hypnosis to go back in time and find her. The script thus creates a kind of love at first sight, in which the object of passion is a photograph of someone who has long since passed away and who you have never met. Just the idea itself seems bizarre, and things don't get better when we introduce time travel and the notions of regression and self-hypnosis, which only the “new age” crowd will really value in some way. Perhaps it would have been preferable to travel through “traditional” time through some machine, portal or “wormhole”. Technically, the film shines due to the choice of filming location (the hotel still exists and can be visited) and the design of the sets and costumes, full of details and well made, worthy of the Oscar nomination in 1981. The editing is quite regular, and the film unfolds without haste, but also without dull moments. The cinematography comes in joyful warm colors and the soundtrack is dominated by two distinct, but by no means incompatible, tonics: the excellent Rhapsody on a Theme of Paganini Op. 43, by Rachmaninoff, and a hypnotic and striking melody composed by John Barry.
An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence.
An unexpected guest, severed family ties, friendships on the verge of ending. Before they completely drift apart; Ali, Büşra, Efe, and Güray find themselves in a spiral of loneliness at the collapse point of their personal lives.
A couple discover they have a rare-genetic condition that makes them allergic to each other and must decide between facing the hazardous pain of being together or suffering the agony of being apart.
One evening, a couple of women decide to spend the night at home, facing the eternal dilemma of choosing movies to watch and what to order for lunch. As they debate their options, the conversation turns to topics such as movies, religion and politics, revealing their personalities, their differences and the love that unites them.
A heartbreaking story about the tragic love between a young soloist named Andrey Dymov and an equally young, but more experienced "Priestess of Love" named Masha.
When brilliant surgeon Ukyo Retsu removes a cancer from a mysterious old woman, he doesn't realize that the cancer is a 5000 year-old demon. Ukyo must then assume the role of protector of the Earth.
The realm of magic is being threatened by the realm of logic, so Carolinus, the green wizard decides to shield it for all time. Ommadon, the evil red wizard, stands in his way. Carolinus then calls for a quest that is to be led by a man named Peter Dickinson, who is the first man of both the realms of science and magic. It is Peter's job to defeat Ommadon.
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
After four years in prison, Bobby is released into a world he no longer recognizes. His exgirlfriend Penny is abusing drugs. Their daughter is in foster care. Bobby's sister is in the process of rebuilding her life after a bad relationship.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.