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The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
It's only shallow people who require years to get rid of an emotion. The Picture of Dorian Gray is directed by Albert Lewin, and he also adapts the screenplay from the novel written by Oscar Wilde. It stars Hurd Hatfield, George Sanders, Angela Lansbury, Donna Reed, Peter Lawford, Lowell Gilmore, Richard Fraser and Douglas Walton. Music is by Herbert Stothart and cinematography by Harry Stradling Sr. Dorian Gray of Mayfair and Selby. Oscar Wilde's Faustian tale about a young Victorian gentleman who sells his soul to retain his youth is given a magnificent make-over by MGM. Pumping into it a budget reputedly of $2 million, the look and feel is perfect for this macabre observation of vanity, greed and self destruction. In many ways it's still an under valued movie, mainly because there will always be Wilde purists who think it lacks the writer's poetic spikiness, while horror fans quite often venture into the picture expecting some sort of violent classic ripe with sex, drugs and debauchery unbound. Lewin crafts his film in understated manner, never allowing the themes in the source material to become overblown just for dramatic purpose. He cloaks it all with an atmosphere of eeriness, thus keeping the debasing nature of Dorian Gray subdued. The horror aspects here mostly are implied or discussed in elegantly stated conversations, where the horror in fact is purely in the characterisation of Dorian himself. We really don't need to see actual things on screen, we are urged to be chilled to the marrow by his mere presence, and this works because Lewin has personalised us into this man's sinful descent by way of careful pacing and character formation. There are some jolt moments of course, notably the famous inserts of Technicolor into the black and white film, the impact of such bringing the portrait of the title thundering into our conscious. However, this is not about thrill rides and titillation, because the film, like its source, is intellectual. Lewin is aided considerably by Stradling's beautiful photography, which in turn either vividly realises the opulent abodes or darkens the dens of iniquities, so just like Lewin, Stradling and the art department work wonders and prove to be fine purveyors of their craft. Hatfield is wonderful, it's an inspired piece of casting, with his angular features and cold dead eyes, he effortlessly suggests the black heart now beating where once there was a soul. Yet even he, and the rest of the impressive cast, are trumped by Sanders as Lord Henry. Cynical, brutal yet rich with witticisms, in Sanders' excellent hands Lord Henry becomes the smiling devil like mentor perched on Dorian's shoulder. Dorian and Lord Henry are movie monsters, proof positive that not all monsters need to be seen hacking off limbs or drinking blood. In this case, the decaying of the soul is a far more terrifying experience. Fascinating, eloquent, intelligent and frightening. 9/10
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris one month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close...
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
As an entire town tries to forget a night of mysterious murders, Rachel delves deeper into the case uncovering secrets and unknown motives. Despite her attempts, a detective tries to dissuade her off of the case.
Inspired by the works of portuguese artist JuliĆ£o Sarmento, this is a movie about the self and the other. About the reflection and obsession on the human condition that is us.
This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.
Having lost their status and credibility five years after covering New York City with gooey roasted marshmallows in Ghostbusters (1984), the city's former heroes and once-popular spirit-hunters struggle to keep afloat, forced to work odd jobs. However, when Dana and her baby have yet another terrifying encounter with the paranormal, it is up to Peter Venkman and his fearless team of supernatural crime fighters to step up and save the day. Once more, humankind is in danger, as rivers of slimy psycho-reactive ectoplasm, paired with the dreadful manifestation of evil sixteenth-century tyrant Vigo the Carpathian, threaten to plunge the entire city into darkness. Is the world ready to believe? Can the Ghostbusters save us for the second time?
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Rosalie, an aging art historian, falls in love with a troubled bisexual artist half her age. Their relationship becomes pure torture for them both.