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Dancing with the Stars - (Feb 26th)
The Kelly Clarkson Show - (Feb 26th)
Allegiance - (Feb 26th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
Ishura - (Feb 26th)
Sort Your Life Out - (Feb 26th)
PopMaster TV - (Feb 26th)
Escape to the Country - (Feb 26th)
Lets Make a Deal - (Feb 26th)
The Price Is Right - (Feb 26th)
The Young and the Restless - (Feb 26th)
Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
The Dog House Australia - (Feb 26th)
After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
It's only shallow people who require years to get rid of an emotion. The Picture of Dorian Gray is directed by Albert Lewin, and he also adapts the screenplay from the novel written by Oscar Wilde. It stars Hurd Hatfield, George Sanders, Angela Lansbury, Donna Reed, Peter Lawford, Lowell Gilmore, Richard Fraser and Douglas Walton. Music is by Herbert Stothart and cinematography by Harry Stradling Sr. Dorian Gray of Mayfair and Selby. Oscar Wilde's Faustian tale about a young Victorian gentleman who sells his soul to retain his youth is given a magnificent make-over by MGM. Pumping into it a budget reputedly of $2 million, the look and feel is perfect for this macabre observation of vanity, greed and self destruction. In many ways it's still an under valued movie, mainly because there will always be Wilde purists who think it lacks the writer's poetic spikiness, while horror fans quite often venture into the picture expecting some sort of violent classic ripe with sex, drugs and debauchery unbound. Lewin crafts his film in understated manner, never allowing the themes in the source material to become overblown just for dramatic purpose. He cloaks it all with an atmosphere of eeriness, thus keeping the debasing nature of Dorian Gray subdued. The horror aspects here mostly are implied or discussed in elegantly stated conversations, where the horror in fact is purely in the characterisation of Dorian himself. We really don't need to see actual things on screen, we are urged to be chilled to the marrow by his mere presence, and this works because Lewin has personalised us into this man's sinful descent by way of careful pacing and character formation. There are some jolt moments of course, notably the famous inserts of Technicolor into the black and white film, the impact of such bringing the portrait of the title thundering into our conscious. However, this is not about thrill rides and titillation, because the film, like its source, is intellectual. Lewin is aided considerably by Stradling's beautiful photography, which in turn either vividly realises the opulent abodes or darkens the dens of iniquities, so just like Lewin, Stradling and the art department work wonders and prove to be fine purveyors of their craft. Hatfield is wonderful, it's an inspired piece of casting, with his angular features and cold dead eyes, he effortlessly suggests the black heart now beating where once there was a soul. Yet even he, and the rest of the impressive cast, are trumped by Sanders as Lord Henry. Cynical, brutal yet rich with witticisms, in Sanders' excellent hands Lord Henry becomes the smiling devil like mentor perched on Dorian's shoulder. Dorian and Lord Henry are movie monsters, proof positive that not all monsters need to be seen hacking off limbs or drinking blood. In this case, the decaying of the soul is a far more terrifying experience. Fascinating, eloquent, intelligent and frightening. 9/10
Dramatisation of Jean Rhys's novel set in 19th-century Jamaica. The tragic story of the first Mrs Rochester from Charlotte Bronte's Jane Eyre centres on an arranged marriage between a white Creole heiress and a brooding Englishman, who fall in love only to be torn apart by rumours, paranoia and a cultural divide.
Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic, Kafkaesque odyssey back home.
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?
The beautiful Shizuko and her husband Toyama Takayoshi have a loving relationship, But Takayoshi is getting older and isn't always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.
A female Chinese cop teams up with a lady kung-fu master to stop two female Japanese gangsters from stealing a valuable painting.
A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.
After discovering a mysterious doll in an attic, two high school friends are increasingly plagued by a series of disturbing and unexplained events.
Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As a storm rages outside, Sarah, her family and friends shore up for the night, cut off from the outside world. But something comes out of the driving rain and darkness. Something that holds a dark secret so devastating that, in one night, it could wipe out the entire family.
Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.
A frustrated, angry teenage girl awakens something in the woods when she naively performs an occult ritual to invoke a witch to kill her mother.