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Henry Kendall is chemist "John Gray" who discovers a mysterious camera in the back of his car. When he develops the film, he finds a photo showing a gruesome murder scene alongside those of a woman whom he determines to trace. What ensues now is a romantic, gently comedic, thriller with a couple of decent performances including an engaging few coroners court scenes with the accused John Mills and Felix Aylmer (the coroner). It also features (fleetingly) Ida Lupino as Mills' well meaning wife. Kendall made his name on the stage, and his performance here is a bit over-egged; indeed it takes a bit of getting used to - but it's just about worth it. The ending has shades of a farce about it, which is a shame but hardly a surprise. Edited by David Lean, no less - and the photography and pace keep this moving along quite well, and funnily. Not a great film, but an enjoyable enough B-feature.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.
Mike has set up a video camera to capture the big moment, when he proposes to his girlfriend Abi. But it isn't too long until they realize they are not alone in the house.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.
High school loner Bird Fitcher has no idea what dark secrets are tied to the mysterious Polaroid vintage camera she stumbles upon, but it doesn't take long to discover that those who have their picture taken meet a tragic end. Bird and her friends must survive one more night as they race to solve the mystery of the haunted Polaroid before it kills them all.
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
A Montreal man imagines a mermaid in place of the writer whose picture appears on a novel.
A writer attempts to raise some cash by writing a book about the Loch Ness Monster. No publisher will take it because they all think there isn't really a monster. The writer and some of his friends make a fake monster and take photographs and then travel to Scotland to see if they can convince the locals.
Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe, but the Khazi of Kalabar has other ideas—he wants all the British dead. But his troops fear the 'skirted-devils, who are rumoured not to wear any underwear.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005