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Henry Kendall is chemist "John Gray" who discovers a mysterious camera in the back of his car. When he develops the film, he finds a photo showing a gruesome murder scene alongside those of a woman whom he determines to trace. What ensues now is a romantic, gently comedic, thriller with a couple of decent performances including an engaging few coroners court scenes with the accused John Mills and Felix Aylmer (the coroner). It also features (fleetingly) Ida Lupino as Mills' well meaning wife. Kendall made his name on the stage, and his performance here is a bit over-egged; indeed it takes a bit of getting used to - but it's just about worth it. The ending has shades of a farce about it, which is a shame but hardly a surprise. Edited by David Lean, no less - and the photography and pace keep this moving along quite well, and funnily. Not a great film, but an enjoyable enough B-feature.
Young lovers Ann and Gero are travelling through Europe when their car breaks down in the Eifel mountains. Vinzent and Franz invite them to spend a carefree weekend partying in a remote holiday cabin. But after a playful ‘séance’ their initial bright mood soon becomes uneasy as strange occurrences start to take place with alarming regularity...
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty, after she becomes involved with a group of petty criminals and their enigmatic leader, Jean. The gang lives hand-to-mouth until the day Jean plans a daring bank robbery. Although other gang members feel out of their league, Jean persuades them to take part and Caty finds herself in a hellish world of betrayal, violence and murder.
In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.
The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something far more sinister.
High school loner Bird Fitcher has no idea what dark secrets are tied to the mysterious Polaroid vintage camera she stumbles upon, but it doesn't take long to discover that those who have their picture taken meet a tragic end. Bird and her friends must survive one more night as they race to solve the mystery of the haunted Polaroid before it kills them all.
A tutor recounts a frantic night that culminated in a 16-year old girl's disappearance. Unfolding in front of a video camera direct from a psychiatric ward, Gaby Winters (Jennifer Morrison) recalls a dreadful babysitting job that sent her on a frantic search for a missing teenager out into the heart of a mysterious city. Woven into the story are a multitude of subplots that add up to one chaotic night that Gaby will never forget.
Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.
