Hanuman

Girdharilal (Kader Khan) is a very rich and wealthy man. He has made a number of enemies. One of his enemies asks a beggar to masquerade as Girdharilal for a price, to which the beggar agrees. The switch takes place, with the real Girdharilal being abducted. A series of hilarious and comical events take turn as the beggar attempts to pretend to be a rich, left-handed tycoon.

A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.

'The Wishing Tree' is a magical, inspirational and an extremely entertaining story of five children in a hill-station somewhere in India, who come together to save their 'wishing tree' from being cut by vested interests. The film is extremely lively, endearing and engrossing so that the underlying message to protect trees and environment is seamlessly driven home.

Abducted, presumed dead, young Pratap survives in an ashram, learns various arts of worship and weaponry, rescues and then falls in love with Kalingnagar's Rajkumari Malti, and wants to wed her. When he visits the region, he finds that many others who had attempted to wed her, had failed due to stringent conditions set forth by her dad, Bhujang Verma, and are languishing in prison. It is then he finds out his parents, who had been duped out of their palace by Bhujang and Rajguru, are alive, blind, imprisoned and tortured regularly, and sets forth to restore their kingdom to them. In order to do this, he must bring back a Mani that is located in a secret cave, guarded by snakes, protect himself from flesh-eating and shape-changing demoness', pygmies, and other challenges, while the wily Rajguru abducts Malti as well as his parents, and intends to hold them hostage until the Mani is turned over to him.

Suraj is the only son of widow, Parvati whose husband was killed. He falls in love with Reshma after saving her life from a snake bite.

Once upon a time there was a Kingdom Ujjaini and its King was Maharaj Raja Vijay Singh (Pran) his only daughter Princess Indumathi (Jayaprada) loves a dynamic guy Ramu (Jeteendra) who was a gardener in fort, Maharaj keeps a condition that if he could become equal to his status then he will give his daughter's hand to him. There was a mesmerizing person Mantrik Husair (Kader Khan) who has super natural power who wants to achieve a powerful ideal of Pataal Bhairavi

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.

After losing their parents, two brothers are brought up by their sister and brother-in-law. Will they grow up to be good? What hurdles will each one face?

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.