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Barbra Streisand is simply superb in this depiction of the early life of Vaudeville girl and more Fanny Brice. From her humble beginnings, and with the help of her friend Eddie Ryan (Lee Allen) we see her come to the attention of the mighty Florenz Ziegfeld (Walter Pidgeon) before her career becomes the stuff of legend. Streisand's characterisation is authentic - her stoic Jewish antecedence, her less-than-pin-up looks; her sassiness are all charmingly captured as she gradually falls for her debonaire, if somewhat flawed, beau Omar Sharif - who is also very effective as her rakish love Nicky Arsntein. Their tumultuous relationship, peppered with plenty of pithy dialogue and partnered with an outstanding collection of songs from award winning lyricists Jule Styne and Bob Merrill, James Hanley and Grant Clarke just makes this an excellent piece of theatre on a big screen. The likes of "Second Hand Rose"; "People" and "Don't Rain on My Parade" have long since become standards of the American songbook oft sung by the great and the good ever since. There are also plenty of engaging cameo characters - especially at the beginning - to keep this classy piece of cinema from William Wyler well worth a watch. Loads of poetic licence, here - its not an autobiography - it's just an enjoyable 2½ of entertainment.
A dramatization of the controversial trial concerning the right for Neo-Nazis to march in the predominantly Jewish community of Skokie, Illinois.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stand staying away from her.
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
