A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
At 22, Alain is already a living legend in Marseille. Of all the young divers who jump from the Corniche, he is the only one to dive head and neck forward "to break the water". If the jump allows him to control his impulses, he knows that he will not be able to brave forever the fear of heights.
Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.
This program explains some of the reasons why people are drawn to the Satanic way of life and reveals the symbols used by members of the occult world. The program also highlights some of the criminal activities associated with ritual practices and ceremonies and gives important dates when these crimes are most likely to occur during the year. (worldcat.org)
Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.
Twenty-five films from twenty-five European countries by twenty-five European directors.