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Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.
An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.
This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
A documentary that explores the history of heavy metal music, horror films, and how the two genres have merged together over time.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.