Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Liberalism gone loony RELEASED IN 2013 and directed by Mike Lerner & Maxim Pozdorovkin, "Pussy Riot: A Punk Prayer" is a documentary about the feminist/anti-Putin Russian punk rock collective, Pussy Riot, and the arrest & trial of three of its main members (Nadezhda Tolokonnikova, Maria Alyokhina and Yekaterina Samutsevich) for their offensive protest “performance” at a Moscow cathedral in 2012 wherein they were charged with hooliganism motivated by enmity toward a religious group and disturbing the social order. I have an obvious message for these three women (aged 22, 23 and 29 respectively at the time of the events): If you don’t want to go to jail don’t enact hateful criminal protests. Let me put it this way: What if several conservative Christians visited whatever dive they “perform” at and carried out a mocking, hostile rant against them and their ilk? They’d be incensed and immediately put a stop to it, not to mention press charges to prevent it from happening again. Speaking of “performing,” the girls’ music is laughably trite punk ditties. Separated from the political hype, their cacophonies wouldn’t register even a blip on the punk/rock/metal barometer. A couple of the females are asked what they’re protesting against and one of them says they’re objecting to the (supposed) Russian expectation of women to have babies and do little else in society. But (1.) no one’s forcing her or anyone else to have babies and (2.) the movie itself shows women in all kinds of significant professions in Russia, including two judges, a prominent lawyer and police officers. It’s a classic case of rebel without a cause. If they don’t like Putin, fine, vote against him and look into becoming a politician. If you don’t like the conservative sway in current Russian culture, then do your part to respectfully influence society to your point of view, which would include offering a positive example of your (supposedly superior) belief system. Instead, these women opted for outrageous acts in their 3-year protest against the Russian government, culminating in the sacrilegious incident at the Russian Orthodox cathedral: They stuck poultry up their you-know-whats in supermarkets, spray-painted vulgar graffiti on bridges, staged an unbelievable public orgy at a museum when Nadya was eight-months pregnant, which is actually shown in the movie for like 10 seconds (two clips). Seriously? In response, Putin expressed “I’m surprised they weren’t arrested prior to this.” So am I. The flick is evenhanded in that it lacks a biased narration and simply shows the actual footage, translating the Russian verbiage into English, with a smattering of interviews with parents, husbands and whoever. It’s a fascinating documentary in that it reveals modern Russian culture, its predominant values and lunatic fringe. I was surprised to observe that the elder disciples of the Russian Orthodox Church resemble formidable American bikers more than anything else. Despite these positives, I’m not giving the film a higher rating because it foolishly sides with the girls. Which is baffling since anyone with a modicum of common sense can see that they got precisely what their doofus behavior deserved. If a group of conservatives in America did what these women did, but enacted toward liberal people & institutions, they’d be lambasted by the lamestream media and imprisoned for years for hooligan hate crimes. Of course loony libertines are notorious for their hypocritical double standards. THE MOVIE RUNS 1 hour 28 minutes. GRADE: C-
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship
Filmmaker Steve York explores the controversial 2004 Ukrainian presidential election, during which candidate Viktor Yushchenko suffered a near-fatal poisoning and his unpopular opponent, Viktor Yanukovych, was declared the winner. In the aftermath, more than a million people - including the ailing Yushchenko - took to the streets of Kiev, protesting the results that contradicted exit polls showing Yushchenko with an impressive lead.
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
Christopher Reeve portrayed the Man of Steel in four Superman films and played dozens of other roles that displayed his talent and range as an actor, before being injured in a near-fatal horse-riding accident in 1995 that left him paralyzed from the neck down. After becoming a quadriplegic, he became a charismatic leader and activist in the quest to find a cure for spinal cord injuries, as well as a passionate advocate for disability rights and care.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.