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Black Girls 2024 - Movies (Jan 29th)
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Dark Night of the Soul 2024 - Movies (Jan 28th)
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The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
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**A discreet biographical film, that seems to me to fulfill its role.** Even those who don't like her, I think, have the honesty to recognize the impact and relevance of Tina Turner's music. She doesn't please everyone (nobody pleases everyone) but it is still a reference in 20th century music. Owner of a record that is hard to match, she has several awards, several Grammys and two stars on the Walk of Fame, among other honors. The film we have here, heavily based on the singer's autobiography, shows us a little of her personal life, how she became famous and her difficult marriage to Ike Turner. I never read the original book, but I believe the movie omits a lot of information and data to try to focus on the main thing. Brian Gibson ensures an efficient direction and the script is quite good, mainly because of the way it sticks to the story and facts, avoiding melodramas and cloying sentimentality. Of course, not everything goes smoothly: the film is quite predictable, and its pace, although pleasant, goes through several bumps that are basically musical pauses. The most relevant point in favor of this film is the excellent choice of the cast and the impeccable way in which it acts. Lawrence Fishburne has the difficult task of bringing the truculent Ike to life (and there aren't many characters more disgusting than an abusive husband), but he put in such effort that he manages to capture our attention with magnificent charisma. Beside her, the great Angela Bassett never seemed so powerful and electrifying. Incidentally, the resemblance of the two actors to the real figures they embody is truly remarkable. The film has excellent cinematography and good scenery. The costumes, props and even automobiles play an important role in building the atmosphere of the time in which things are happening (between the 50s and the beginning of the 80s). The soundtrack is also good and, predictably, it's basically based on songs by Tina Turner and Ike Turner.
Andrea Bassett provides quite a compelling interpretation of the early life of Tina Turner here and Laurence Fishburne is also on good form as the brutish Ike. Born Annie Mae Bullock, she grows up in a community where singing is important and where her voice helps her to stand out. Pretty swiftly she attracts the notice of local band leader Ike Turner who gives her a start fronting his music before she becomes his wife and a mother. Success begins to follow but as that happens he turns into a monster. She is beaten regularly and feels more and more intimidated and fearful within her own marriage. Her society just wasn't geared up for a woman to leave her husband, however violent, and so with their business and family lives so completely intertwined any chance to break free was always going to be dangerous for this woman. Peppered with some well staged performances of their songs, and concluding with the birth of a legend, this is one of the more honest biopics that spares us little of the detail of a relationship riddled with turmoil and little respect. Fishburne presents us with a man who is odious in the extreme, but also one who exudes a degree of vulnerability as he clearly takes to drink and drugs to compensate for her success and his perception on how that impacted on his manhood to some extent. Not to excuse the behaviour - it seems commonplace for many African American women to have been the victims of domestic violence, but it does humanise the man a little and that does help to illustrate both the boldness and determination of an hugely talented and strong woman to do what she had to to break free of his magnetically toxic influence. It's based on her own book, and that adds a considerable degree of authenticity and richness to a depiction that's tough to watch at times, but well worth it.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
Widowed Welsh mother Anna Loenowens becomes a governess and English tutor to the wives and many children of the stubborn King Mongkut of Siam. Anna and the King have a clash of personalities as she works to teach the royal family about the English language, customs and etiquette, and rushes to prepare a party for a group of European diplomats who must change their opinions about the King.
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
Los Angeles teenager Ritchie Valens becomes an overnight rock 'n' roll success in 1958, thanks to a love ballad called "Donna" that he wrote for his girlfriend. But as his star rises, Valens has conflicts with his jealous brother, Bob, and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly.
John H. Groberg, a middle class kid from Idaho Falls, crosses the Pacific to become a Mormon missionary in the remote and exotic Tongan island kingdom during the 1950's. He leaves behind a loving family and the true love of his life, Jean. Through letters and musings across the miles, John shares his humbling and sometimes hilarious adventures with "the girl back home", and her letters buoy up his spirits in difficult times. John must struggle to overcome language barriers, physical hardship and deep-rooted suspicion to earn the trust and love of the Tongan people he has come to serve. Throughout his adventure-filled three years on the islands, he discovers friends and wisdom in the most unlikely places. John H. Groberg's Tongan odyssey will change his life forever.
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
There are times when it's right and proper to simply bury the dead. This is not one of those times... Gram Parsons was one of the most influential musicians of his time; a bitter, brilliant, genius who knew Elvis, tripped with the Stones and fatally overdosed on morphine and tequila in 1973. And from his dying came a story. A story from deep within folklore; a story of friendship, honour and adventure; a story so extraordinary that if it didn't really happen, no one would believe it. Two men, a hearse, a dead rock star, five gallons of petrol, and a promise. And the most extraordinary chase of modern times.
Based on the true story of Canadian doctor Norman Bethune, this film traces his life from his beginnings with his deeply religious family in Ontario, through his medical studies in school, where he developed his overwhelming compassion for those less fortunate, and his driving desire to see that they get the medical attention they need. Most of his life after college was spent either working in war zones around Europe or developing new treatment techniques in his home country.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.