Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
What is this? A homicide, or a bad B-movie? Not exactly what you would call an unknown horror comedy, but there is the distinct feeling that it should be better known. As its cult fan base will attest, this is blast of a movie, a homage to the "B" schlockers of lore. Directed by Fred Dekker, the premise sees some alien beings eject a flask of alien slugs down to earth, which lands at a fraternity campus, something which cause mayhem some years later when a frozen body is disturbed at the medical lab and the slugs are unleashed. Cue infestation that turns people into zombies! The pic plays up to the clichés of fraternity based movies, with nerds and nudity on tap, all smothered in a gooey horror comedy sauce. One-liners are ripe, the characterisations also, the latter of which fronted by a glorious Tom Atkins as a hard drinking hard - boiled detective with issues and quips ready to be poured out. It's not genius film making, but given the low budget it deserves its cult status, because it never pauses for breath and it's very aware of what it wants to be - and crucially who its target audience is. 7/10
Night of the Creeps is a fantastic movie to watch in many different situations: with friends, at a sleepover, in the middle of the night, in the middle of the day, and so many more. It's an easy to watch flick, and it contains the right balance of horror elements, gore, campiness, humor, and absurdity to make each viewing as enjoyable as the last. It's got a touch of body-stealing aliens, a touch of zombies, a touch of traditional serial killer, all mixed with all the fun that can come from being placed in a sorority house. Sure, it's not downright frightening, and it's not necessarily an utterly funny movie like a comedy, but the balance it strikes between the two is where the beauty shines through.
**_Entertaining sci-fi/horror “lost gem” from the mid-80s_** During a frat initiation, two buds at a SoCal university (Jason Lively and Steve Marshall) inadvertently unleash something creepy that results in the walking dead. Tom Atkins plays the detective on the case while Jill Whitlow draws the attention of one of the boys. “Night of the Creeps” (1986) is sci-fi/horror with a wink of amusement that features bits from previous movies, like “The Blob” and zombie flicks, to forge its own unique concoction. The writing is creative, the characters are fleshed-out and the director has a good eye for women in a few quick spots (not talking ’bout nudity or sleaze). The detective especially is an interesting character while Whitlow’s voice is to die for. This would obviously influence “Slither,” which came out two decades later, but “Creeps” is the superior film, by far (there’s something distasteful & ugly about “Slither,” but that’s just me). The movie runs 1 hour, 28 minutes, and was shot entirely in Los Angeles. GRADE: B+/A-
Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.
A young boy and his grandmother become unlikely serial killers in a quest to eliminate his father's girlfriends, in this boldly original spin on the vampire genre.
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.
In rural farm country, a comic book obsessed serial killer clashes with a straight edge purist over a young boy's fate.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him.
Mickey and Thomas, stars on the rise, and their friends and crew find themselves trapped in a deadly game by a killer who has dubbed himself 'The Auteur'.
In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.
In a building where silence and order usually prevail, Estela tries to sleep, unable to doze off due to the passionate nights of her young neighbors. Tired of their disrespect, she calls for a consortium meeting to decide the couple's new fate.
In his quest to fulfill a promise made to his wife, Calvin sets out to right his wrongs and make it the best Christmas ever for his family. If only it weren't June and the majority of the population, including his wife and daughter, hadn't been turned into flesh-eating snappers by a mysterious atmospheric phenomenon, he'd be in pretty good shape. Driven by guilt in a race against the apocalyptic clock, Calving teams up with G.M., a wily ex-garbage man turned undead slayer, as together they attempt to deck the halls during the most magical time of the year. It's Christmas in June. And snappers be damned. . . The lights and decorations are going up.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.