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"Dorothy Mills" is one of those films that may not fit into the horror category, but it still contains enough elements to get the attention of horror lovers who want more than gore and a nice variety of scares. I admit that I also like those kinds of horror films, but I can also acknowledge and praise something a little bit more complex, less violent and more 'psychological', which is the case of this film. 'Dorothy Mills' certainly went beyond my expectations and I honestly don't understand why some people are complaining about the movie being 'too slow'. For the contrary, this film successfully manages to capture the attention during the first minutes, which is a crucial thing to do when you're telling a story. If you shock the audience enough during the first minutes and develop a well narrative line that gets more and more complex throughout the end, you're all set, and personally, I think Agnès Merlet and Juliette Sales achieved this perfectly. I don't know anything about Jenn Murray, the young actress who portrayed Dorothy Mills. I am not acquainted with her earlier work, but I don't need any information to state that she is definitely one of the most gifted actresses I have seen in a long time. The first time we see Jenn on screen, her character is doing something extremely violent, which provokes repulsion and hate towards her. However, only a few minutes later, Dorothy suddenly appears as a poor innocent child, which causes more sympathy than fear or rejection. Jenn Murray is obviously gifted enough to elaborate a complex character, who never ceases to amaze the audience with a variety of types of behavior through the entire film. Dorothy is a flawless character, not only thanks to Jenn Murray, obviously, but also because the writers did a marvelous job creating her. Judding this film by the cover, one would be inclined to assume that 'Dorothy Mills' is another movie about a bad little girl who kills people and gets away with it because nobody ever suspects of young innocent little girls. Well... this is really not the case. The cover is misleading and it makes it makes it look campy, when in reality, Dorothy is a much more complex character with a lot of things to express. Again, I have a special love for campy films as well, but I'm just stating a difference, in this case. I highly recommend this fine psychological thriller, with one of the most complex 'villains' I have seen in a while. If you're in the mood for a good thriller with some well done twists, give this movie a chance.
Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.
Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Kidz in da Hood is the gripping and warm story of Amina, who came to Sweden with her grandfather three years ago. Amina has not yet received her residency permit and when her grandfather dies everything seems to fall apart. She temporarily hides out with pierced and tattooed rocker Johan, who lives in a worn-down suburb. The wild girl Mirre lives on the same floor as Amina and together they begin fighting for Amina to stay in Sweden and live with Johan.
Madan Mohan Khullar, a lover of old Hindi films and music, has decided to start his life afresh. However, to begin a new day, one has to pass through a long night, and so must he.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
Emilie is a bright young workaholic manager in Human Resources, working for a huge French agro-food company. But, one day, one of the employees commits suicide at the company in front of her. While an investigation is underway, stuck between her traumatized colleagues and under pressure of a powerful hierarchy, she will have to get by on her own.
A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.
Ruby, an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew is a hapless yuppie wannabe. Marginalised by the deregulated economy of the '80s and living on their wits, they may just find common cause despite themselves.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.