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At a relatively modest 106 minutes The Man from Elysian Fields is still a little too long – and yet I can see why director George Hickenlooper would hesitate to edit out the scenes where Mick Jagger shares screen time with Anjelica Huston. These scenes add nothing and lead nowhere, but darn it, they have Mick Jagger and Anjelica Huston in them. The problem is that the Jagger character is little more than a narrator, and should exist only to introduce Andy García into the world of male escorting; whatever he does in his spare time, and with whom he does it, has no bearing whatsoever on the plot and is therefore of zero interest to the audience. Anyway, luckily for Andy, though rather unbelievably in general, his experience as a glorified gigolo involves one single solitary customer who, as expected, is rich and lonely, but also very beautiful and about his same age, and to cap it all, married to his hero, played by James Coburn, who not only is quite at peace with his wife procuring herself a sexual surrogate, but also willing to let García help him rewrite his next novel. Uh huh. Improbabilities aside, the whole triangle business is the best part of the movie (with Coburn effortlessly evoking a rugged, Hemingway-esque manliness), and its potential for both dramatic and comedic material renders García’s previously established domestic life disposable were it not that the script needs it to provide the sappy happy ending (and that Hickenlooper couldn’t bear to part even with Julianna Margulies goes a long way in explaining his attachment to Jagger and Huston). The time devoted to either sub-plot would have been better spent monitoring Garcia's progress as a writer. No doubt his bittersweet experiences with Coburn and the latter's wife would provide him with much better material (not to mention a solid tree to lean against, in terms of professional learning) than his previous novel, a sub-Ira Levin thriller called Hitler's Child; however, the characters are authors only nominally, and the extent of their literary collaboration is reduced to substituting one "microcosm" for another (migrant workers instead of Roman slaves).
Marguerite, a beautiful woman of affairs, falls for the young and promising Armand, but sacrifices her love for him for the sake of his future and reputation.
Dr. Lauren Slaughter, a research fellow at the Arab-Anglo Institute in London is utterly frustrated by her job. To supplement her income, she starts moonlighting at the Jasmine Escort Service, where she has more control over men and money than she does at the office. On one of her 'dates', Lauren meets the politician Lord Bulbeck who is trying to mediate a peace accord between the Arabs and Israelis. Bulbeck falls in love with his escort, and unwittingly, Lauren becomes a pawn in some very dirty politics.
Natalie (Anne-Sophie Briest) has found a job and a new love. She meets her 14-year-old Miriam, who risks being under the influence of Natalie's ex-pimp. Natalie and the computer nerd Sven research a child pornography ring.
14 years old Natalie seems to live in a completely healthy and wealthy family. However she feels lost: her parents spend most of their time for her younger, sick sister. So she grows more and more lonely. After an argument with her father she runs away from home. In her quest for care and nearness, she ends up with souteneur Nico.
A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.
A group of friends come of age in the asphalt desert of the San Fernando Valley, as set to a blazing soundtrack and endless drinking, drugs and sex.
A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.
This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.