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Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
This is a rather insubstantial film that appears more intent on taking a swipe at religious intolerance - especially at the bigotry of the Church of Latter Day Saints - of homosexuality. Wes Ramsey "Christian" is a good looking Lothario who sails through life working as a waiter then seducing and shagging his way through his nights. When a group of 4 young Elders move in to an adjacent apartment, he bets his team in the restaurant that he can seduce one of them. He sets his sights on tall, handsome Steve Sandvoss "Aaron" and off we go... The film does try to address the emptiness of Ramsey's existence and broaden it to a wider comment on promiscuity and shallowness, but mostly it's an over-long love story that takes an age to get anywhere, then ends in really rather predictable way. The plot has more holes than a string vest - and for reasons that do not appears clear at all to me, Jacqueline Bisset crops up from time to time as the almost angelic owner of the restaurant. Sandvoss is very easy on the eye, which does make it watchable - but otherwise, it's just another love story with a sticky start...
I first saw the film years ago and rewatched it this weekend. I ended up with a few conflicting thoughts. One, the movie doesn't necessarily hold up well (in terms of writing, acting, pacing, story, etc.) but in many ways that doesn't matter in terms of whether it's worth watching. It's probably a more important film than it gets credit for. It's hard to understate how groundbreaking this film was for the time, offering onscreen representation and voice to several underrepresented segments and experiences in society. By today's standards, the romance feels a little Hallmark and Lifetime movie-esque, but in the moment, it was unheard of for a movie like this to have the reach it did with the message it had. I recommend this film to anyone interested in gay cinema, independent cinema, and the journey these industries have taken over the past 30 years.
A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.
Pepijn and George’s steady, seven-year relationship is shaken up after they allow a young student named Cas to sleep on their couch until he finds a place of his own. Gradually, both men fall head over heels for Cas’ laconic charm and it forces them to reconsider their many long-term plans. Is Cas’ presence endangering their relationship or is he actually a blessing in disguise?
Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm's frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
The Falls: Testament of Love is a continuation of the story of RJ Smith and Chris Merrill, two Mormon missionaries that fell in love during their mission in a small town in Oregon. The boys haven't spoken in five years, but when an unexpected tragedy compells them back to the Oregon town where they served, they find themselves, once again, thrust into one another's lives. As old feelings begin to surface they find themselves again facing difficult choices. If they pursue their desire to be together, RJ and Chris risk hurting the ones they care about as they embark on a spiritual journey to discover love, freedom, and happiness.
Suffering from addiction and homelessness, Abigail wanders the city on a cold winter late afternoon, suffering withdrawal, slipping in and out of hallucinations and dreams as the cold sets in.
In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.
Sean is a young labourer newly appointed to tend the grounds of Falgirth, a stately manor in 19th C Ireland. But a secret romance results in a possessive, power-play and a betrayal that can never be forgiven.
A collection of gay short films. The 7 short films are: Poor Girl! [Pov' fille !] (2003); Oedipus N+1 [Œdipe - [N+1]] (2003); Piglets [Ferkel] (1999); Tommy Trips [Thomas trébuche] (1999); Breakfast? [Frühstück?] (2002); Sunday Morning (2001); The Case of O [Le cas d'O] (2003).
A drag queen embarks on a quest for better workplace rights, but finds herself in a dicey situation when her new lawyer, a tone-deaf straight woman, is revealed to be a drag super fan.