Libera, amore mio...

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrades to prevent him from going to Madrid where he could be arrested.

In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)

Florence, Italy, 1925, during the fascist dictatorship. In order to live near his girlfriend Bianca, young Mario moves to a humble street in the old city center, where he befriends Maciste and Ugo, two anti-fascists.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

This film is the second of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. Autumn, 1918: Somewhere on Germany’s western front, Ernst Thälmann, age twenty-four, is calling on his fellow soldiers to put down their guns and join him in the communist struggle at home. When Hamburg’s Police Commissioner blocks a much-needed food shipment to the workers of Petrograd, Ernst battles to see it allowed through. Until his murder on August 18, 1944, Ernst remained true to his political convictions in the face of many setbacks.

In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...

During the 20 months before Italy's liberation from Fascism, a group of university students trade empty rhetoric for action by joining the Partisans into the mountains of Nazi-occupied northern Italy. There, group leader Gigi falls in love with his best friend's girl. As the Resistance struggle continues, some of the "little teachers" are killed, and the brutal reality of war leaves its mark on their youthful idealism.