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The arrogance of medicinally inclined youth! I remember coming out the theatre after having seen Flatliners in 1990 and being really annoyed. The premise of the story is so superb and was ripe for a terrifying horror film, but Flatliners then, and now, is not terrifying, but that actually doesn't matter. In 1990 some of the more bright young acting prospects were off making Memphis Belle, the other half that was made up of potential Brat Packers like Kiefer Sutherland, Julia Roberts, William Baldwin, Oliver Platt and Kevin Bacon, were joining director Joel Schumacher for this delve into life after death experiments. The tyro medical students, led by a darkly egotistical Sutherland, begin inducing their own deaths to see what awaits once the flatline has been reached. Seems great at first, but as the students push the time limits of being dead still further, what comes into their real worlds is actually not welcome. Pic is never close to being frightening, but the thematics involved are chilling and the big message at its heart is loud and clear. At times it's an uneasy blend of supernatural dalliances and medical science, but the breezy cast hold engagement, while cinematographer Jan de Bont's misty lenses are perfectly in the realm of the ethereal. 7/10
Stop for a minute and contemplate the fact that Joel Schumacher made this when he was channeling Joel Schumacher and it actually turned out to be a good, compelling, and frightening film. How the heck did that happen? I mean, sure, the story was good for a horror flick and it was pretty compelling. And, to be fair, it did have a great case and the acting was beyond par. So you know, there was a lot working for it despite it being Joel Schumacher in the 90s being Joel Schumacher in the 90s. I guess what I am saying is that you should give it a shot, despite the director.
When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.
Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives.
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.
Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.
In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family - and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Danny is a young cop partnered with Nick, a seasoned but ethically tainted veteran. As the two try to stop a gang war in Chinatown, Danny relies on Nick but grows increasingly uncomfortable with the way Nick gets things done.