Crossroads

Live, documented at Chicago's Vic Theatre in April of 1996. 1 Thumbscrews 2 Fly On The Wall 3 Mailman 4 Destroy Before Reading 5 Thumper 6 Bloody Mary 7 Wheelchair Epidemic

A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.

This film traces the road of the Blues and takes us on a journey to mythical places: From the banks of the Niger to New Orleans, going up the Mississippi through Memphis to the skyscrapers of Chicago. It tells the story of this culture which faced the worst barriers and shows that Humanity can overcome barbarity.

Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices. Soon, Jimmy finds himself trying to help the band by getting them gigs and trying to reconcile the family with his uncle.

Clapton, live from Los Angeles' Staples Center on August 18, 2002, part of the sold-out worldwide tour that followed Clapton's 2001 album "Reptile." This concert DVD features live material spanning his entire career. Recorded in concert at The Staples Center in Los Angeles, August 18 2001, this performance spans Clapton's entire career and even throws in a cover of "Somewhere Over the Rainbow" for good measure. Based around the album REPTILE, which had just been released at the time, this footage also includes the songs "Layla," "Tears in Heaven," "Sunshine of Your Love" and many more.

Blues guitarist Kenny Wayne Shepherd performs "Shotgun Blues", "Losing Game", "Blue on Black", and "King Bee".

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Finally released from prison, Elwood Blues is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops.

Robert Randolph is an American musician, a master of the pedal steel guitar, greatly influenced by Stevie Ray Vaughan. The US Rolling Stone magazine designated him as one of the 100 best guitarists in the world in 2003. The following year he appeared in the 'Crossroads Guitar Festival' DVD and opened Eric Clapton's World Tour. The latest project by Robert Randolph and The Family Band, 'We Walk This Road', is a celebration of Afro-American music over the last one hundred years and reflects the cultural background of Robert Randolph, who began playing music in church. For the Nice Jazz Festival, his programme includes original compositions and covers (Bob Dylan, Prince, John Lennon and Blind Willie Johnson), all in a festive and celebratory spirit.

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.