Aschenputtel

Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.

When Nicki finds two horses stranded deep in the Rocky Mountain snow, she makes it her mission to find a way to get them to safety. With no other options, she picks up a shovel and starts to dig out the mile-long path, inspiring her father, Matt, and the rest of the community to join together and save the horses in the spirit of Christmas.

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.

A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.

Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.

Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him.

Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.

The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.