Cirque du Soleil: Amaluna

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.

Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.

Eccentric, non-binary fortune teller Fei Liu's way of life is threatened when figures and phantoms of present and past visit their tent and plague their subconscious, throwing their own future - and grip on reality - into turmoil.

Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.

An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

Zarkana is a Cirque du Soleil stage production written and directed by François Girard. It began as a touring show in 2011 and was converted to a permanent show in Las Vegas in late 2012. It premiered at Radio City Music Hall in New York City on June 29, 2011 and later toured to the State Kremlin Palace in Moscow and the Madrid Arena in Madrid. Following Zarkana's successful run in Moscow, it was announced that the show would start residency at the Aria Resort and Casino in Las Vegas. The show replaced the Cirque du Soleil resident production Viva Elvis, which closed in August 2012 at the Aria Resort. Zarkana by Cirque du Soleil is about a spirited journey through an abandoned theater where an extraordinary circus comes back to life. Populated by a motley collection of off-the-wall characters and incomparable acrobats, Zarkana is a visual vortex set in a twisted acrobatic fantasy universe where, little by little, chaos and craziness give way to a true celebration.

Life as the sole sale item in the clearance corner of Eben's Bikes can get lonely. So Red, a unicycle, dreams up a clown owner and his own juggling act that steals the show. But all too soon, the applause turns into the sound of rainfall, as reality rushes back. Red must resign himself to sitting in the corner and await his fate.

Pippi Longstocking is an extraordinary little girl who lives alone in her house, while her father sails the seven seas. Pippi's irrepressibly fun nature makes her easy to befriend, as neighbors Tommy and Annika find, but can also earn ire, especially from social worker Mrs. Prysselius.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.