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People only die when they have something to live for. Ambush is directed by Sam Wood and adapted to screenplay by Marguerite Roberts from a Luke Short serial story. It stars Robert Taylor, John Hodiak, Arlene Dahl, Jean Hagen, Don Taylor and John McIntire. Music is by Rudolph G. Kopp and cinematography by Harold Lipstein. "In 1878 the shortest trail West through the territory of Arizona crawled across the foot of Bailey Mountain... The shortest trail but, the most dangerous. For Bailey Mountain was the stronghold seized by Diablito and his hostile Apaches" Nice! A Western movie for Western movie lovers to sink their teeth into. It's not exactly wall to wall action on offer here, but there is an adultness to proceedings that hits all the right chords for the discerning audience. The opening scene shows us the aftermath of an Apache raid, then it's introductions to the main characters who will come together to go rescue a kidnapped white woman from Diablito's Apaches. The build up isn't rushed, we are drawn into the lives of the American Fort residents, their love triangles and frets, while mature themes of adultery and spouse abuse are given some skilled direction and performances. Once traits and peccadilloes are established, the band of not so merry men go off to fight the Apache, the latter of which are thankfully shown as a resourceful foe with some cunning tactics. Taylor saddles up for a scuzzy portrayal, honourable for sure, but happily dirty and his character is shown to be fallible in one of the many machismo contests that permeate the story. Hodiak offers some elegance, Hagen some emotional punch, while Dahl - costumed to enhance her curvaceous figure - lights up every scene she is in. The great Harold Lipstein photographs much of the picture through black and white film noir filters, adding the requisite turbulence to the story, while Wood, in what was his last motion picture directorial assignment, directs with assuredness and makes the most of the Simi Valley and Gallup locations. McIntire is wasted and Bruce Cowling as the violent husband is only just convincing, while the blending of painted backdrops with the gorgeous locales becomes a little distracting in the final quarter. Yet as any hardcore Western fan will tell you, often those sort of things are forgiven if the makers don't insult our intelligence, which is thankfully the case here. 7/10
Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace.
Rollins' gang wants to grab land by inciting the settlers in a war against the Indians but Winnetou and Old Shatterhand try to keep the peace, until Rollins frames Winnetou up for the murder of Jicarilla Chief's son.
Abahachi, Chief of the Apache Indians, and his blood brother Ranger maintain peace and justice in the Wild West. One day, Abahachi needs to take up a credit from the Shoshone Indians to finance his tribe's new saloon. Unfortunately Santa Maria, who sold the saloon, betrays Abahachi, takes the money and leaves. Soon, the Shoshones are on the warpath to get their money back, and Abahachi is forced to organize it quickly.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert
Army despatch rider Hondo Lane discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector.
The construction of the Great Western Railroad creates heavy conflict between the railway company and neighboring Indian tribes. Worse, criminal gang leader Santer sets his eyes on a gold mine located on holy Indian land and influences the construction supervisor to re-rout the planned railroad straight through Apache land. Old Shatterhand, who works as a measurement technician, discovers the evil plan and searches contact with the Apaches in an effort to avert war.
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.
Lt. Col. Kirby Yorke is posted on the Texas frontier to defend settlers against depredations of marauding Apaches. Col. Yorke is under considerable stress by a serious shortage of troops of his command. Tension is added when Yorke's son (whom he hasn't seen in fifteen years), Trooper Jeff Yorke, is one of 18 recruits sent to the regiment.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.