They Call it Pro Football

Step into our world, as we bring you a raw look at the talents of the next wave of riders and photographers. Come face to face with our diverse styles as we take on new lines and new places. ARRIVAL is all about what is happening now. Bringing viewers into the reality of a new generation of freeriders and racers.

In the fall of 1962, a dramatic series of events made Civil Rights history and changed a way of life. On the eve of James Meredith becoming the first African-American to attend class at the University of Mississippi, the campus erupted into a night of rioting between those opposed to the integration of the school and those trying to enforce it. Before the rioting ended, the National Guard and Federal troops were called in to put an end to the violence and enforce Meredith's rights as an American citizen.

After being shot during a robbery in Colombia and losing sensation in his legs, Uruguayan soccer star Alexis Viera finds a new sense of purpose.

On October 15, 1988, Notre Dame hosted the University of Miami in what would become one of the greatest games in college football history. It was tradition vs. swagger, the No. 4-ranked Fighting Irish versus the No. 1-ranked Hurricanes, one coaching star, Lou Holtz, versus another, Jimmy Johnson. But the name still attached to the contest came from a t-shirt manufactured by a few Notre Dame students: “Catholics vs. Convicts.” As compelling as the tale of Notre Dame’s dramatic victory is—even losing quarterback Steve Walsh calls it “a helluva ballgame”—the backstory is just as riveting.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock's soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight.

As boxing's popularity wanes, three fighters at different stages of their career make sacrifices to pursue their dreams of becoming champions.

THE DOCTOR, THE TORNADO & THE KENTUCKY KID is the electrifying follow-up to Mark Neale’s 2004 MotoGP smash hit FASTER. Narrated by Ewan McGregor, the movie tells the story of the biggest motorcycle race in American history, the 2005 Red Bull U.S. Grand Prix at Laguna Seca, California. It’s a tale of extraordinary characters chasing a dream in the face of real danger, under unimaginable pressure, with no margin for error. For lovers of maximum adrenaline action, this is the pure, unadulterated, 100% genuine article.