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Technically, this is at the better end of the genre as both the production standards and - mercifully - the dubbing hold up quite well. Mark Forest could hardly be described as versatile, or good - really - but here, he is also quite decent as the eponymous hero who steps in to stop the annual tribute of thirty young virgins being sent from his Nefer homeland to Babylon. Certainly, the plot offers nothing new - we have seen the same story time and time again with the hero being "Hercules" or "Maciste", but the costumes and sets are colourful and vibrant, there is plenty of strong-man action and although it is a bit heavy on the dialogue side from time to-time, it's still quite an entertaining sword and sandals caper full of the usual court intrigues, gladiatorial sword fights and quite a fun contribution from Arnaldo Fabrizio ("Ninneto") too. You won't remember it afterwards, but it passes eighty-odd minutes amiably enough.
The story of Hadji Murad, a 19th-century Chechen chieftain who led his warriors in a fight against the invading forces of the Russian Czar.
Hellboy, his pyrokinetic girlfriend, Liz, and aquatic empath, Abe Sapien, face their biggest battle when an underworld elven prince plans to reclaim Earth for his magical kindred. Tired of living in the shadow of humans, Prince Nuada tries to awaken an ancient force of killing machines, the all-powerful Golden Army, to clear the way for fantasy creatures to roam free. Only Hellboy can stop the dark prince and prevent humanity's annihilation.
This latest installment of Babylon 5 is in two parts: the first, is about an entity that has possessed a worker. It wants to be exorcised but Col. Lochley prevents the priest & sends it & the host both back to Earth. The second is about Galen trying to dupe President Sheridan into assassinating the future Centauri President to stop him possibly attacking Earth in 30 years time.
An evil bandit kidnaps a sultan's son and raises him but finds the son has magic powers.
A Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two warriors might unite to protect the travelers.
Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.
A horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom, the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria and Subotai. The group comes upon King Osric, who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
In 9th century China, a corrupt government wages war against a rebel army called the Flying Daggers. A romantic warrior breaks a beautiful rebel out of prison to help her rejoin her fellows, but things are not what they seem.
Bodybuilder Ed Fury stars as the legendary Ursus in this above-average sword-and-sandal adventure from veteran director Carlo Campogalliani. The plot concerns Ursus' attempts to rescue his kidnapped fiancee, aided by a pretty blind slave girl. Now an evil queen, Ursus' former love throws him into a gladiatorial arena with a bull, which manages to smack the slave girl in the head and restore her eyesight before Ursus defeats it and his enemies. The bullfight is particularly well-staged, and this exciting spectacle may be the highlight of Fury's erratic screen career. ~ Robert Firsching, Rovi
Obro the muscleman goes to Atlantis and sinks a death-ray king who knows the secret of immortality.
The short film is an adaptation of Ninot Aziz’s Kirana: Dream After the Rose, which centres on Tun Fatimah, the last queen of Melaka. The story is not a straightforward retelling of Tun Fatimah, but instead features a modern twist. The setting of the plot takes place both in present-day Melaka and the use of visual effects aims to capture the city in all its glory during the 16th century.