Angels with Dirty Faces: Whaddya Hear? Whaddya Say?

A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey.

Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

Hoffman, Redford, Bernstein, Woodward, Pakula and Bradlee. Creators and creatures involved in one way or another with 'All the President's Men', whether being the novel or the movie, appear in this documentary to talk about the challenge of both medias and how one was successfully transformed into another.

A documentary on the genesis, writing, shooting and analysis of the film "The Name of the Rose".

The Warwick Rowers Charity Calendar making of films are rightly famous. Shot and edited by a world-class director/editor since 2012, In this second film, in Spain, is shot in an extraordinary private garden that overlooks the Straits of Gibraltar, where the Atlantic Ocean meets the Mediterranean sea. As well as the dramatic and unique location, we are delighted that we were able to bring a total of twelve rowers to Spain this year. The privacy of the garden, the warmth of the Mediterranean summer and the camaraderie between such a large group of rowers make this a film like nothing we’ve made before.

The Warwick Rowers are celebrating their tenth anniversary with their best ever new products for 2019. Shot on location in Australia, Italy, England and Spain, the new calendar is a testament to the ambition and achievement of these young college athletes. They set out in 2009 to make a small student calendar, more for fun than money, and instead created one of the world's leading examples of the ally concept in inclusion. They have inspired women and LGBT men around the world including Robbie Manson, the Olympic rower and world record holder for single sculling. Robbie joined the boys naked for their Sydney shoot and is the very first special guest star in a Warwick Rowers calendar.

Produced in 2014, this documentary about the making of TIE ME UP! TIE ME DOWN! features interviews with director Pedro Almodóvar; actors Antonio Banderas, Victoria Abril, Loles León, and Rossy de Palma; producer Agustín Almodóvar; production manager Esther García; and cinematographer José Luis Alcaine.

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.