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This is a well known story and I have also seen the '56 movie 'The Ten Commandments'. So in this film could not foresee the modification, but it did in a slight manner like the later 'Noah' movie. The best part was the visuals, the graphics were so good, hard to resist the pleasure if you are vfx geek like me. That's the reason I love modern movie, especially remake of a classic like 'King Kong'. The problem in this flick was lie in the story telling. As we know, Ridley Scott is an excellent narrator, but this movie was too short even though it ran 150 minutes. I felt it was just a brief, I mean there were no details or depth in the important scenes. You will know what I'm saying if you had watched '56 movie I mentioned in a above paragraph. That's drawback for the first timers at a same time advantage for not to fall in boredom for those who have already seen other versions. Christian Bale, awesome; Joel Edgerton, good; Ben Kingsley, never required; Aaron Paul, totally waste. Overall, not cleverly stablised in the scenes that are very important, especially the final one about ten commandments should have been extended a little bit with a moral message. If it was a Peter Jackson movie, definitely it would have been a trilogy with an aggregated time of over 500 minutes. This movie was an entertainer like I enjoyed it than the message deliverer. Must be watched for the amusement and for the pleasure in updating technical aspect of the narration rather than inspiration. 7.5/10
This movie was rather disappointing as far as I am concerned. The original story has been rewritten rather drastically. This in itself do not bother me too much. I am not one of those fanatics that get a fart stuck the wrong way if someone messes with the holy bible. However, I really do not think this was a good rewrite. A lot of the magical moments had been removed and that took away a lot from the story. The movie starts off good enough with some nice and fairly impressive battles. Then it slows down a lot and sometimes I got a “get on with it damn it” feeling. When we finally got around to the burning bush part I got rather underwhelmed. God as a vengeful kid? Come on! The disasters and the special effects are not too shabby but the entire bit where Moses confronted Ramses and warned him about the disasters that where to befall Egypt are taken out. They where just thrown on Egypt one after another in ways that could be explained away as natural disasters. From one point of view I can understand the wish to do this but to me it took something away from the movie. Later when Ramses decides to go after the Hebrews it continues in the same way with Ridley Scott downplaying the magic in the story. There is no pillar of fire and Moses is not holding out his staff to split the see. The sea just decided to recede and Moses takes advantage of it. Sure the effects when the water returns where quite cool but again, the magic was gone. Technically the movie is quite well done and the acting is quite okay but the biblical grandeur and mythical aspects are no longer there. This grand adventure story is simply reduced to an ordinary, fairly mediocre adventure movie with a high budget. I have to say that I enjoyed Cecil B. DeMille’s The Ten Commandments more even though the special effects in that one is hopelessly outdated and the acting is a bit awkward.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
The Three Cousins is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins won the Best Human Rights Film Award in Strasbourg in 1970.
An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".
A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.
When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess - but things do not go as planned.
Annecy is no tourist destination for three working-class Algerian brothers and their father, in the months after their mother has died. Marc is deeply troubled: he tries to stiff drug dealers and then plots revenge. Christophe is released from jail, lands a job, and must overcome various temptations in order to keep it. Olivier, nearing 18, may be falling in love with Hicham...
Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.
During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.
Hellboy comes to England, where he must defeat Nimue, Merlin's consort and the Blood Queen. But their battle will bring about the end of the world, a fate he desperately tries to turn away.
An Italian photojournalist falls madly in love with a young black women he meets while on assignment in Egypt. She goes with him when he returns to Italy and the two soon get married. But the small town he is from is not quite so friendly nor open-minded to his new bride, and racism and petty jealousy threaten to break up their once idyllic happiness.