These Violent Delights

A conservative church-choir director moves from Texas to San Francisco to run her deceased gay son's drag club.

Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyo., standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.

A maelström of shouts, slaps, small dances, kabuki love scenes, tribal singings. They shift from loneliness to togetherness, sensation to dance soli, grotesque to subtle movements, from burning to shining, from shedding to getting rebirth. Gerro, Minos and Him has been created in Het Veem Theater in January 2012 after two residencies, in the Musée de la Danse de Rennes and in Dansbyran in Gothenburg. The première took place in Something Raw Festival on February 14th 2012 in Amsterdam (NL).

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

A live recording of Carl Orff's world-famous musical masterpiece Carmina Burana, performed by more than 100 singers and dancers of the National Opera and Ballet of Ukraine (Odessa).

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.

In the backdrop of 1995 East London, not all is as it seems as Frenchy persuades his eccentric gang to steal from The Stanfields, an impregnable family run drug ring.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?