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Tormentors and the tormented given Lang's gifted touch. Out of MGM, Fury is directed by Fritz Lang and stars Spencer Tracy and Sylvia Sidney and features Walter Abel, Bruce Cabot, Edward Ellis and Walter Brennan in support. It's adapted by Lang and Bartlett Cormack from the story "Mob Rule" written by Norman Krasna. Loosely based around the events that surrounded both the "Brooke Hart" murder in 1933 and the "Lindbergh" kidnapping/murder case in 1932, the story sees Tracy as Joe Wilson, an innocent man who is jailed and apparently killed in a fire started by a rampaging lynch mob. However, as the lynch mob go on trial for his murder, Joe surfaces but is twisted by thoughts of revenge on those who happily watched him burn. Widely and rightly considered a classic, this first Hollywood outing from director Fritz Lang is a remarkable look at mob violence and one man's limit pushed to its breaking point - and then some. That Lang survived studio interference to craft such a penetrating study of injustice is a minor miracle. Fury is neatly put together as a story, the calm before the storm as Joe & Kath are brought to us as the happy face of Americana. Then it's the middle section as rumours run out of control, the dangers of idle prattling rammed home as things start to escalate out of control - culminating in the savage assault on the jail (a gusto infused action sequence indeed). Then the fall out of mob rule actions, the court case and Joe's malevolent force of vengeance, that in turn comes under scrutiny. The film was said to have been Lang's favourite American film, which is understandable given it bares all his trademarks. The expressionistic touches, shadow play dalliances and supreme cross-cutting between tormentors and the tormented, for sure this is prime Lang, with no frame wasted. While it's no stretch of the imagination to think that Lang, having fled Nazi Germany, was pondering what he left behind as he moulded the picture together. Of the cast, Tracy is majestic as our main protagonist, while Sidney is brightly big eyed and hugely effective as the moral centre of Joe's universe. Controversial at the time, the film has naturally lost some of that controversial power over the decades. However, as the film points out with the lynching statistics, there was once a time when inhumanity was able to rear its ugly head in the blink of an eye. Fury serves to remind two-fold that not only is it a potent social commentary, but also that it's a damn fine piece of skilled cinema. 9/10
The quiet family life of Nels Coxman, a snowplow driver, is upended after his son's murder. Nels begins a vengeful hunt for Viking, the drug lord he holds responsible for the killing, eliminating Viking's associates one by one. As Nels draws closer to Viking, his actions bring even more unexpected and violent consequences, as he proves that revenge is all in the execution.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.
A Chicago cop is caught in the middle of a gang war while his own comrades shun him because he wants to take an irresponsible cop down.
A young woman suspects foul play when her cat comes home wearing a wristwatch. Convincing the FBI, though, and catching the bad guys is tougher than she imagined.
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
Nicola, paralyzed after a car crash, falls in love for his physiotherapist Lucia. Franco and Manuela, a young couple unfit to have children, fly to Barcelona for a specialized treatment for fertility. Filippo and Fosco, two gay men, decide to marry. Ernesto, waiter in a chic restaurant, has a liaison with Cecilia, the new Spanish help.
A revenge drama, which revolves around two families based out of London. One family which plans an elaborate countryside wedding and the other is a violent criminal family of moneylenders. Amidst a week-long function, both these worlds collide. A past secret sparks an incident of violence - in turn changing all their lives drastically.
