Madagascar: l'insurrection de l'île rouge

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

A quiet island, lost in the pacific ocean. Nothing worth of interest, until the day a stroke of luck, phosphate, provided by the island's coral core, led the country to incredible heights: in 1975, it became the second richest country per inhabitant in the world after Saudi Arabia... Only to plunge into ruins a few years later.

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie-the cinematic genre the plot of which is developed during a trip.

Flora, 30, is a French geneticist. She analyzes what is transmitted or not between generations. She lost her parents who were fervent Maoists within the proletarian Left from the end of the 1960s. She must now sort through her parents' apartment: what to choose to keep or not from their memory?

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

“I am the last of the great Presidents. After me, there will be no more ..." said François Mitterrand at the end of his life. What legacy left the first socialist president of the Fifth Republic? Documentary filmmaker Bertrand Delais and a host of French intellectuals such as Laurent Fabius, Hubert Védrine, Julien Dray, Dominique Bertinotti, Jean-Pierre Chevènement and Bruno Roger-Petit take a look into what that means.

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

It is a famous saying: "One can come to power with a bayonet, but not sit on it." The organization, which carried out 27 May, came to power with a bayonet. Moreover, these young officers seized power that night by breaking the traditional chain of command. In the morning, a 10-year DP period was over, the support of the public was gained at first hand, and a brand new phase was reached. Now, the days that would mark the future of Turkey were beginning. Now, as those days put it, the "second republic period" was beginning.

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Workers on strike who have not been paid for months and tourists who are forced to wait in their steamy cars in the middle of the tourist season. Krk Bridge, Croatia. August 16th, 2012.