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My dad and I had a movie tradition, because there is always time to watch a movie and catch is weather dependent. This was one of the movies he took me to see as like the father-son bonding time. And I can understand why, no one loved pulp novels more than my dad and when it came to picking things the word "Adventures" really played to his pulp trash sensibilities. I might have inherited a bit of that. This was my first introduction to Gilliam, and from there it opened up Monty Python and all kinds of craziness right down to effecting some of my reading habits. So, as a child, this movie had a profound effect on me. It was funny, it was an adventure, it was silly, it was deep (deep enough where even an 8 year old can sense there was more going on than he could understand at that age) and it was one of those movies that dad and I could both enjoy as father and child, for two different reasons... .... now, however, that's probably an inappropriate thing to do and I am certain that if I bonded with my kids the way dad bonded with my sister and I, I'd get arrested for taking them to see a movie like this. So we watch these things at home. Because, whatever, I have complete and total faith my kids are smart enough to know what a movie is and emotionally equipped enough to deal with this type of fun. At any rate, this was brilliant and I still hold it in high esteem because it introduced me to Gilliam and that opened a lot of doors for me.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
For nine generations an evil sorcerer has been victorious in hand-to-hand battle against his mortal enemies. If he wins a tenth Mortal Kombat tournament, desolation and evil will reign over the multiverse forever. To save Earth, three warriors must overcome seemingly insurmountable odds, their own inner demons, and superhuman foes in this action/adventure movie based on one of the most popular video games of all time.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.
A horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom, the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria and Subotai. The group comes upon King Osric, who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke - even if it kills him - while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee, head of the powerful and evil Water & Power Corporation, the de facto government, has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.
