War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Bullet is a shot in the dark; a stray bullet that almost hits its mark. Almost. It's hard to screw up a film with Mickey Rourke, Tupac Shakur, Adrien Brody, and Ted Levine – hard, but not impossible. One of the most disappointing aspects of Bullet is that Shakur, the rare musician with a truly solid screen presence, only appears in a handful of scenes – which is still more than enough for him to steal the movie –, and only shares a couple of them with Rourke. One can only wonder if his death that same year had something to do with this. Butch 'Bullet' Stein (Rourke) is out on parole after serving an eight-year sentence. On his first day out, Bullet stabs Flaco (Manny Perez), who works for drug dealer Tank (Shakur), in the eye. Apparently, stabbing people in the eye is Bullet's trademark, and Tank is one of his previous victims. So why is his nickname Bullet, then? And why does Tank wear an eye patch? Under it, he either has a glass eye, or a glassy eye, but an eye nonetheless. It’s symptomatic of this script, in which Rourke had a hand, that the consequences fall very short of the magnitude of the actions that provoke them. In addition to Tank's eye, we have Butch's younger brother Ruby’s (Brody) hand. Ruby is an aspiring graffiti artist whose “drawing hand” is impaled with a knife, for which Butch is indirectly to blame. This incident not only does not result in friction between the brothers, but it doesn’t prevent Ruby from painting a huge mural of his hand with a blade going through it, of all things. Basically, this event belongs in a first draft, not in the finished movie. All things considered, I have mixed feelings about this film. Tupac is easily the best thing in it; when he's not there we expect him to show up, and when he shows up, all eyes are on him (you’ll excuse the obvious reference). The filmmakers should have given us a lot more of Shakur, or a lot less. Rourke, on the other hand, gives a deliberately lethargic and morose performance, befitting the unmotivated Butch – who is only jolted out of his drug-induced stupor to commit petty crimes to get money to buy more drugs –, and in keeping with the scattered, disjointed, and episodic nature of much of the film. The highlight of Rourke's performance is a great scene in which Butch warns two young men he mugged earlier in the story of the dangers of ending up like him. This Butch material, which could have been the American answer to Trainspotting, is set against the more straightforward Tank subplot, so that we are left with two different stories running perpendicular, rather than parallel, to each other, and when they intersect is more of a train wreck than a junction.
Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.
When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.
Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner and Murphy are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker, an eccentric FBI agent, is fast closing in on their blood-soaked trail.
Two couple of friends, one very rich, the other almost homeless, decide to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother, a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of her father's employees... At the end of the summer, all of them will join the same party...
In the wake of a young Jewish girl’s disappearance, the son of a Hasidic funeral director returns home with his pregnant wife in hopes of reconciling with his father. Little do they know that directly beneath them in the family morgue, an ancient evil with sinister plans for the unborn child lurks inside a mysterious corpse.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
A jailed swindler leaps at the chance to earn parole in return for taking care of his estranged brother, an athlete who recently lost his sight.
A sixty-something mother and her two adult sons cope and move onward following the death of their larger-than-life father/husband.
A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.