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Homes Under the Hammer - (Mar 25th)
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I made this movie and I think it turned out alright, to say it was made in a week or two. I think my main complaints, looking back, are my audio mixing skills, as the soundtrack feels jarring and the some SFX could be better. The fight choreography could have been slightly better, but we didn't really plan it out beforehand and only had a small window to record so had to come up with it on the spot. And obviously the cast and wardrobe range wasn't the best due to how many characters we needed, but I think the fact so many are nameless and basically "cannon fodder" helps with this. But we did what we could, and I'm grateful for all who helped on such short notice. I am really happy with the cinematography though, as I think the camera angles, shot types, and cuts all make it feel like an action movie, and the limited VFX were pretty good too, even if it's only muzzle flashes and bullet holes.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.
A man and a boy, traveling to an unknown destination, find respite in a motel swimming pool. On the surface all seems normal, but nothing is what it seems to be. Short film not to be confused with the 2017 feature film with the same name.
On the day of their green card interview, a young couple confronts a dangerous immigration process.
Three hours outside of Addis Ababa, a bright 14-year-old girl is on her way home from school when men on horses swoop in and kidnap her. The brave Hirut grabs a rifle and tries to escape, but ends up shooting her would-be husband. In her village the practice of abduction into marriage is common and one of Ethiopia’s oldest traditions. Meaza Ashenafi, an empowered and tenacious young lawyer, arrives from the city to represent Hirut and argue that she acted in self defense. Meaza boldly embarks on a collision course between enforcing civil authority and abiding by customary law, risking the ongoing work of her women’s legal aid practice to save Hirut’s life.
It is a disturbing thriller about a home invasion of a wealthy family that lives in a small-high end apartment. The family is taken hostage as the invader psychologically tortures David, the head of the household, by causing harm to his family members as he watches.
Pirelli Film's second promotional short, starring Uma Thurman and directed by Kathryn Bigelow.