Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
**Three different generations and their romances.** This is my latest Thai film and it's an anthology. It was released quite a while back, but I'm only watching it now. Directed by three different filmmakers for three different segments. One of the them was from 'Fan Chan', also known as 'My Girl'. It was not the best Thai film I've seen, yet not much disappointed with the overall film. The reason was the anthology. When the multiple stories compressed in one film, it always depends on each segment. You might like one or two, if not all or the whole film. But the bad luck is if you do not enjoy any of it. Then it will be a shoddy work than a normal concept film in the similar state. So, you must know what the title means before jump into to watch it. 'Seven Something' is like for every seven years, love changes. That's what the tagline says. Means you know, the romance at the beginning and the same romance a few years later are not going to be the same for some people in most of the scenarios. Getting used to it is one of the ways to make it work, but what if the kind of romance you have fallen in for, is excessive at some point later in your life. That's the story of the first segment, which is named '14'. It revolves around a teenage romance. As in the todays world, there's no life without social media. How those platforms became the youngsters daily life routine was told in here. From all, 'YouTube viral' concept was the majorly focused on it. People do videos for many purposes, including profession, talent exhibit, but for some it is just for fun. This was really needed for the at present internet culture the youngsters adopted. So I felt it was a very good message, awareness part of all three stories. The slight let down was, that I am not familiar with the Thai internet culture which differs from nation to nation. Though the fame getting out of them are same everywhere in the world. > ❝I'm just one person. Without me, you'll be fine. You have 10,000 people who love you out there.❞ The second segment was about the film actors and their torn romance. It was named '21/28'. After the good start, I anticipated it to be another fine tale, but it was not. I did not like it. It has been just a decent one. It all revolves during the time between the film called 'Sea You' and its sequel 'Sea You Again'. The whole nation knows their breakup, because of their fight in public stages. The attempt was made by them to patch, but does it work or not is the remaining is to reveal. Too sentimental, but not to be felt kind it belongs. Everything was on the screen, between the two characters, though failed to touch its viewers with its softness. If you are familiar with Thai films and its culture, that might help you to enjoy it better. I don't know. There are other actors those I've seen in other Thai films can be seen in the guest appearances. Especially the final credits have a music track where they all come to dance with a lip sync. What disappointed me the most was to learn this tale was from the 'My Girl' famed director. The third and final segment was about a middle aged TV journalist and her romance with a younger man. This part was known as '42.195'. She has a reason for her depression in life. Then one day, she accidentally meets a marathon runner which going to change her life forever. But it's not easy in the circumstance of life she's in. Their little friendship, how it develops to an unexpected level of bond is what covered in the rest of the section. And again, I liked this segment. Very meaningful and realistic. The best performances by the pair of the entire film. I think you have to be an adult like the late 20s or more to enjoy it better. The three tales are connected as they all set in the same timeline and the universe. Each one is to entertain different generation audiences. So when you watch it, you would know which is yours. Nearly 40-45 minutes for each segment. And the overall runtime was a bit excessive which could unfavours for some viewers. As well as the paces differs in all the three. Should have been improved the screenplay in a few parts, particularly the middle tale. Otherwise, it is not a bad film, but when it comes to suggesting others, I'm not sure to thumb up. It is a less known film, and like I had a mixed feeling, it might work for you as well, or even better, maybe not. So choose it wisely. _6.5/10_
Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Several short animated mini-stories based on the short stories and four-panel manga of Keiko Fukuyama, including My Father the Mouse, The Rabbit Brothers, Summer Secret, The Mysterious Fairy, How Very Strange, and Kuro.
A new teenage student arrives at a prestige boarding school in Bavaria, having not only the ability to play the guitar and sing, but also to charm animals and detect ghosts. Quickly becoming part of a secretive club of five other students, he is inadvertently stranded by them at an abandoned chateau on an island in the middle of a large lake, where he encounters an enchanting young woman who wants to escape... Also filmed in a separate German-language version with largely different cast, MARIANNE MEINE JUGENDLIEBE, q.v.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...
August 1st in Zurich. An unbearably hot day. While many are celebrating the Swiss national holiday, five individual fates take their course: 1. As a symbol against capitalism in Switzerland, Vinc is planning an attack in the city centre. 2. Tibetan descendent Sonam is struggling to settle into her new job as a police officer – worse still, she makes a major mistake during her first operation. 3. Hunter Edi’s status quo is unbalanced when a financial predicament puts his morals to the test. 4. Young Ukrainian Sonja arrives in Zurich full of hope to surprise the love of her life – but she is in for an even bigger surprise. 5. Chilean Javier no longer feels at home in Switzerland and decides to return – with his daughter, but without her mother’s knowledge – to his motherland.
Lloyd, an eternal optimist, seeks to capture the heart of Diane, an unattainable high school beauty and straight-A student. He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over-possessive, divorced Dad disapproves and it's going to take more than just the power of love to conquer all.
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.