Five Minutes Ago

Although Eva is a good swimmer, she was unable to save her brother from almost drowning. He is in a coma, and the cold relationship with her mother doesn’t help Eva feeling any less guilty. Then she discovers a mysterious puddle in her bathroom that leads her into the depths of the sea

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

A once harmonious pair of angelic youth are disrupted when one decides he is fed up with his simple way of life. He takes a drastic step in order to get closer to the human boys he envies.

Milan in spring. City rides with radio music, interrupted by advertising. The external movement. Paola works in a photo studio and likes to play table tennis. Robert photographs girls and ice cream. Jule talks too much on the phone. - Another love triangle. They actually wanted to go to the seaside.

Short film by Hans Lang and Nikolai Karo

the emotional rollercoaster journey of a wood cutter when nature is paying back.

Two incarcerated women in a secured forest of the North of Quebec are subjected to hard labour of reforestation. Confronted to their body’s instrumentalisation and its underhand control, they enjoy a little area of freedom they managed to create thanks to a prison guard particularly empathetic towards them.

Some say that love is when two halves of hearts that complement each other meet. But what happens if he is a blind musician, and she is a deaf artist. Together they complete each other and prove that the love is beyond any boundaries.

Lewis starts to recognise himself in other people. Having reflected on his past, he attempts to affect his future.

According to Muslim practice, burial ought to occur within 24 hours of death — so after Manny’s immigrant husband, Sameer, passes away in an accident, he is confronted by a representative of Sameer’s family urging him to sign the paperwork needed to ship the body back to Kuwait. Manny initially refuses, clinging to his rights as Sameer's husband, while knowing that with every passing hour, Sameer's family grows more infuriated. After an emotional climax, spurred on by the family’s homophobic claim that Manny and Sameer’s marriage was merely a green-card arrangement, Manny comes to realize that his objections won't change the fact that his husband died — try as he might, he cannot delay grief.