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When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
Rashid, a modest meter reader, is smitten with Amina, a gentle and beautiful woman. Visiting her home daily under the pretense of reading the electricity meter, he uses every encounter to charm her. Though she initially resists, Amina gradually falls for his endearing persistence, sparking a warm and playful romance.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
A devil is at work in the Ukrainian village of Sorochintsy, terrifying residents and travellers alike. Among them a farmer whose daughter is not allowed to marry her lover because her quarrelsome stepmother is against it.
Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.
A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges.
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.
A middle-class house in the middle of nowhere. A council estate in Sète. A mother and daughter. Two childhood friends. A vanishing. Blackmail. A clash between two worlds.